Oldfield: A Kentucky Tale of the Last CenturyBanks, Nancy Huston
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Oldfield: A Kentucky Tale of the Last Century
Banks, Nancy Huston
Kentucky -- Fiction
She never left him now for a moment, night or day, except when there was
preaching in her own church and her faith required the "breaking of
bread"; and at rare long intervals to go to prayer-meeting, when she
felt her strength failing and hoped to find in the prayers of others new
strength for her own ceaseless petitions. One night of midsummer, when
the bell began to ring for prayer-meeting, she felt that she must go.
She accordingly arose--reluctantly as she always left him--and went into
the bedroom and put on her quakerish bonnet. Then she came back and
stood before her husband, seeking wistfully to do something more for his
comfort before leaving him, as she never forgot to try to do. She turned
the cushions at his back to make them softer, and moved the pillows
behind his head so that it might rest easier, and straightened the cover
over his powerless knees. These poor things, which she always did, were
all that she ever could do. She would return soon, as soon as she could,
she said, as she always said, bending down to press her pale lips to his
scarred forehead. At the gate she stopped and lingered, looking back, as
she always looked, sorely loath still to leave him even for an hour of
uplifting prayer.
Night was near. The last red gold of the sunset had paled from the
highest, farthest hilltop, where the graveyard lay. The tombstones--the
new white ones that stood so straight, the older gray ones that leaned,
the oldest brown ones that had fallen--all were dim now in the soft
glory of the afterglow, as many of the cold, hard things of this world
are softened by the tender light from the world above. The dusk was
already creeping down the darkling arches of the wooded hillsides. Mists
were already arising from the low-lying meadows, trailing long white
cloud-fleeces, all starred with fireflies, thus making a new heaven of
the old earth.
Through the gloaming and the stillness Anne's lonely figure went
steadily, swiftly onward toward the church. Lynn Gordon noted the tense
paleness and the strange exaltation of her still face, when he met and
passed her on the big road, faint as the light was, and the sight of it
touched him, though his own mind was lightly at peace and his own heart
was over-flowing with thoughtless happiness. The impression of suffering
that her face had given him was still in his mind when he drew near the
window beside which the sick man sat, and because of it, or some other
motive that he did not stop to fathom, he suddenly stood still, and
after a hesitating pause, and a longing glance toward the silver
poplars, he opened the gate and crossed the yard and went to the window
to speak to Tom Watson. Nothing was farther from his thoughts than any
intent of going into the house--as he told the doctor afterwards when
speaking of what followed.
Public-domain text, read in full here on John Shaqi.
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