Oldfield: A Kentucky Tale of the Last CenturyBanks, Nancy Huston
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Oldfield: A Kentucky Tale of the Last Century
Banks, Nancy Huston
Kentucky -- Fiction
In his own room at the tavern, late on that afternoon, the judge felt
more alone than ever before through all his lonely life. He had already
begun to suffer the mental reaction which nearly always follows great
spiritual exaltation. He was even now thinking of what he had done--what
he had _not_ done--as if he were another person. He most distinctly saw
its inevitable, far-reaching, and never-ending consequences. He realized
that he, no more--perhaps even less--than any other man, could expect to
evade them or hope to live them down. The very fact of his prominence
could but make the matter more widely known and more disastrous in its
results. The high office which he held--though it personified the
law--would only make his breaking of this unwritten law all the more
unpardonable. Suddenly he felt completely overwhelmed by the weariness
of life, which had so weighed upon him through the day. In terrifying
fear of himself he sprang to the open window and hurriedly leaned out,
finding a measure of safety in the mere presence of the people passing
on their way home from court. But some of them looked up, and stared at
him curiously, so that he drew back. He had not closed the door of his
room, and he was glad to hear footsteps in the passage, although he
merely turned his head without speaking when the man, to whom he had
given the money for the payment of the note, came in quietly, and laid
it on the table within reach of his hand. Nor did the man speak,--there
was nothing for any one to say,--but he stood for a moment hesitatingly,
irresolutely; and then, still without speaking, he drew a pistol from
his pocket, and laid it on the table beside the money.
When he was gone the judge got up and closed the door, and took the
pistol in his hands, which were beginning to tremble now as they had
never trembled before. Hastily he put the temptation down, and walked to
the door and opened it again: taking swift, aimless turns up and down
the room. At the sound of footsteps again passing along the passage, he
called to a servant and asked for some water. The presence of any one
would protect him against himself. Turning this way and that, aimlessly,
he turned once more to the window, and threw it higher and pushed the
curtain further back--as far this time as it would go. He then leaned
out again, caring nothing now for the curious gaze of the passers-by,
caring only that he might escape this overpowering, horrifying,
paralyzing fear of himself.
Public-domain text, read in full here on John Shaqi.
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