Oliver Constable, miller and baker, Vol. 1 (of 3)Tytler, Sarah
Philosophy
Oliver Constable, miller and baker, Vol. 1 (of 3)
Tytler, Sarah
England -- Social conditions -- 19th century -- Fiction
Catherine was as well acquainted with every bird’s nest within her
bounds as were the Friarton boys, whom she could not keep out of the
shrubbery in the bird-nesting season, and whom she detested with an
illogical detestation—to say the least, enough to show that she had
never had a brother. She would suddenly start out on these boys from a
little wilderness of green branches, and assail them with a torrent
of passionate reproach. The boys would stare blankly at the apparition
they had aroused, but any unwonted bashfulness, if excited at all,
would speedily give way to a sense of the utter disproportion between
cause and effect. The result would be an ironical titter or guffaw
(for the Friarton boys were by no means models of good manners), and
a noisy, careless retreat to be followed by a return rendered doubly
certain by Catherine’s injudicious challenge.
Catherine retreated too, covered with swift mortification for her
extravagant anger. But it was difficult to be patient with those young
savages, who could no more be barred out than the waves of the sea
could be held back, who would make short work in one holiday afternoon
of all those exquisite little homes of moss and leaves, leaving the
poor, fond, helpless architects fluttering in despair round their
ruined dwellings and pillaged treasures of blue, green, black and
red spotted, and freckled eggs, or, more precious still, downy,
yellow-beaked, tottering, gaping fledglings. The nests were perfectly
beautiful and sacred to Catherine, and she took great pleasure in
visiting them all round every morning, with elaborate precautions
not to disturb family arrangements or trouble heads of houses in the
performance of their duties.
Catherine was almost as happy and much less liable to worry, among
her lilies, of which she cultivated an infinite variety; her trailing
love-lies-bleeding, like a warrior’s plumes heavy and drooping with
the red stains of battle; the golden shields, with the dark discs and
the stiff grenadier stalks, of her sunflowers; the pinked perfection
and spicy breath of her clove carnations. She would hang over each
of them, and touch them with a lingering, fondling touch, as if they
were sentient creatures, and could welcome and respond to a friendly
caress. She hated to shorten their brief blossoming time; she would
never gather them with lavish wastefulness. She liked to have them near
her at all times, and so would take a tribute from their abundance to
‘busk’ her person and the Meadows drawing-room, but she never did it
unsparingly and recklessly.
Public-domain text, read in full here on John Shaqi.
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