Authors, Irish -- 18th century -- Biography; Goldsmith, Oliver, 1730?-1774
Such was the colloquial giant with which Goldsmith's celebrity and his
habits of intimacy brought him into continual comparison; can we wonder
that he should appear to disadvantage? Conversation grave, discursive, and
disputatious, such as Johnson excelled and delighted in, was to him a
severe task, and he never was good at a task of any kind. He had not, like
Johnson, a vast fund of acquired facts to draw upon; nor a retentive memory
to furnish them forth when wanted. He could not, like the great
lexicographer, mold his ideas and balance his periods while talking. He had
a flow of ideas, but it was apt to be hurried and confused, and as he said
of himself, he had contracted a hesitating and disagreeable manner of
speaking. He used to say that he always argued best when he argued alone;
that is to say, he could master a subject in his study, with his pen in his
hand; but when he came into company he grew confused, and was unable to
talk about it. Johnson made a remark concerning him to somewhat of the same
purport. "No man," said he, "is more foolish than Goldsmith when he has not
a pen in his hand, or more wise when he has." Yet with all this conscious
deficiency he was continually getting involved in colloquial contests with
Johnson and other prime talkers of the literary circle. He felt that he had
become a notoriety; that he had entered the lists and was expected to make
fight; so with that heedlessness which characterized him in everything
else, he dashed on at a venture; trusting to chance in this as in other
things, and hoping occasionally to make a lucky hit. Johnson perceived his
hap-hazard temerity, but gave him no credit for the real diffidence which
lay at bottom. "The misfortune of Goldsmith in conversation," said he, "is
this, he goes on without knowing how he is to get off. His genius is great,
but his knowledge is small. As they say of a generous man it is a pity he
is not rich, we may say of Goldsmith it is a pity he is not knowing. He
would not keep his knowledge to himself." And, on another occasion he
observes: "Goldsmith, rather than not talk, will talk of what he knows
himself to be ignorant, which can only end in exposing him. If in company
with two founders, he would fall a talking on the method of making cannon,
though both of them would soon see that he did not know what metal a cannon
is made of." And again: "Goldsmith should not be forever attempting to
shine in conversation; he has not temper for it, he is so much mortified
when he fails. Sir, a game of jokes is composed partly of skill, partly of
chance; a man may be beat at times by one who has not the tenth part of his
wit. Now Goldsmith, putting himself against another, is like a man laying a
hundred to one, who cannot spare the hundred. It is not worth a man's
while. A man should not lay a hundred to one unless he can easily spare it,
though he has a hundred chances for him; he can get but a guinea, and he
may lose a hundred. Goldsmith is in this state.
Public-domain text, read in full here on John Shaqi.
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