Authors, Irish -- 18th century -- Biography; Goldsmith, Oliver, 1730?-1774
Among the many incidents related as illustrative of Goldsmith's vanity and
envy is one which occurred one evening when he was in a drawing-room with a
party of ladies, and a ballad-singer under the window struck up his
favorite song of Sally Salisbury. "How miserably this woman sings!"
exclaimed he. "Pray, doctor," said the lady of the house, "could you do it
better?" "Yes, madam, and the company shall be judges." The company, of
course, prepared to be entertained by an absurdity; but their smiles were
wellnigh turned to tears, for he acquitted himself with a skill and pathos
that drew universal applause. He had, in fact, a delicate ear for music,
which had been jarred by the false notes of the ballad-singer; and there
were certain pathetic ballads, associated with recollections of his
childhood, which were sure to touch the springs of his heart. We have
another story of him, connected with ballad-singing, which is still more
characteristic. He was one evening at the house of Sir William Chambers, in
Berners Street, seated at a whist table with Sir William, Lady Chambers,
and Baretti, when all at once he threw down his cards, hurried out of the
room and into the street. He returned in an instant, resumed his seat, and
the game went on. Sir William, after a little hesitation, ventured to ask
the cause of his retreat, fearing he had been overcome by the heat of the
room. "Not at all," replied Goldsmith; "but in truth I could not bear to
hear that unfortunate woman in the street, half singing, half sobbing, for
such tones could only arise from the extremity of distress; her voice
grated painfully on my ear and jarred my frame, so that I could not rest
until I had sent her away." It was in fact a poor ballad-singer, whose
cracked voice had been heard by others of the party, but without having the
same effect on their sensibilities. It was the reality of his fictitious
scene in the story of the "Man in Black"; wherein he describes a woman in
rags with one child in her arms and another on her back, attempting to sing
ballads, but with such a mournful voice that it was difficult to determine
whether she was singing or crying. "A wretch," he adds, "who, in the
deepest distress, still aimed at good-humor, was an object my friend was by
no means capable of withstanding." The Man in Black gave the poor woman all
that he had--a bundle of matches. Goldsmith, it is probable, sent his
ballad-singer away rejoicing with all the money in his pocket.
Public-domain text, read in full here on John Shaqi.
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