'It shows that their habits are all dyed in grain.' 'But then they're so handsome, one's bosom it grieves. 'What signifies _handsome_, when people are thieves?' 'But where is your justice? their cases are hard.' 'What signifies _justice_? I want the _reward_. "'There's the parish of Edmonton offers forty pounds; there's the parish of St. Leonard Shoreditch offers forty pounds; there's the parish of Tyburn, from the Hog-in-the-pound to St. Giles' watch-house, offers forty pounds--I shall have all that if I convict them!'-- "'But consider their case,... it may yet be your own! And see how they kneel! Is your heart made of stone!' This moves!... so at last I agree to relent, For ten pounds in hand, and ten pounds to be spent.' "I challenge you all to answer this: I tell you, you cannot. It cuts deep. But now for the rest of the letter: and next--but I want room--so I believe I shall battle the rest out at Barton some day next week. I don't value you all! "O. G." We regret that we have no record of this Christmas visit to Barton; that the poet had no Boswell to follow at his heels, and take note of all his sayings and doings. We can only picture him in our minds, casting off all care; enacting the lord of misrule; presiding at the Christmas revels; providing all kinds of merriment; keeping the card-table in an uproar, and finally opening the ball on the first day of the year in his spring-velvet suit, with the Jessamy Bride for a partner. CHAPTER THIRTY-SEVEN THEATRICAL DELAYS--NEGOTIATIONS WITH COLMAN--LETTER TO GARRICK--CROAKING OF THE MANAGER--NAMING OF THE PLAY--SHE STOOPS TO CONQUER--FOOTE'S PRIMITIVE PUPPET-SHOW, PIETY ON PATTENS--FIRST PERFORMANCE OF THE COMEDY--AGITATION OF THE AUTHOR--SUCCESS--COLMAN SQUIBBED OUT OF TOWN The gay life depicted in the two last chapters, while it kept Goldsmith in a state of continual excitement, aggravated the malady which was impairing his constitution; yet his increasing perplexities in money matters drove him to the dissipation of society as a relief from solitary care. The delays of the theater added to those perplexities. He had long since finished his new comedy, yet the year 1772 passed away without his being able to get it on the stage. No one, uninitiated in the interior of a theater, that little world of traps and trickery, can have any idea of the obstacles and perplexities multiplied in the way of the most eminent and successful author by the mismanagement of managers, the jealousies and intrigues of rival authors, and the fantastic and impertinent caprices of actors. A long and baffling negotiation was carried on between Goldsmith and Colman, the manager of Covent Garden; who retained the play in his hands until the middle of January (1773), without coming to a decision. The theatrical season was rapidly passing away, and Goldsmith's pecuniary difficulties were augmenting and pressing on him. We may judge of his anxiety by the following letter: