Authors, Irish -- 18th century -- Biography; Goldsmith, Oliver, 1730?-1774
Beauclerc's letters to his friend, Lord Charlemont, who was absent in
Ireland, give us now and then an indication of the whereabout of the poet
during the present year. "I have been but once to the club since you left
England," writes he; "we were entertained, as usual, with Goldsmith's
absurdity." With Beauclerc everything was absurd that was not polished and
pointed. In another letter he threatens, unless Lord Charlemont returns to
England, to bring over the whole club, and let them loose upon him to drive
him home by their peculiar habits of annoyance--Johnson shall spoil his
books; Goldsmith shall _pull his flowers;_ and last, and most
intolerable of all, Boswell shall--talk to him. It would appear that the
poet, who had a passion for flowers, was apt to pass much of his time in
the garden when on a visit to a country seat, much to the detriment of the
flowerbeds and the despair of the gardener.
The summer wore heavily away with Goldsmith. He had not his usual solace of
a country retreat; his health was impaired and his spirits depressed. Sir
Joshua Reynolds, who perceived the state of his mind, kindly gave him much
of his company. In the course of their interchange of thought, Goldsmith
suggested to him the story of Ugolino, as a subject for his pencil. The
painting founded on it remains a memento of their friendship.
On the 4th of August we find them together at Vauxhall; at that time a
place in high vogue, and which had once been to Goldsmith a scene of
Oriental splendor and delight. We have, in fact, in the Citizen of the
World, a picture of it as it had struck him in former years and in his
happier moods. "Upon entering the gardens," says the Chinese philosopher,
"I found every sense occupied with more than expected pleasure; the lights
everywhere glimmering through the scarcely-moving trees; the full-bodied
concert bursting on the stillness of the night; the natural concert of the
birds in the more retired part of the grove, vying with that which was
formed by art; the company gayly dressed, looking satisfaction, and the
tables spread with various delicacies, all conspired to fill my imagination
with the visionary happiness of the Arabian lawgiver, and lifted me into an
ecstasy of admiration." [Footnote: Citizen of the World, Letter xxi]
Everything now, however, is seen with different eyes; with him it is
dissipation without pleasure; and he finds it impossible any longer, by
mingling in the gay and giddy throng of apparently prosperous and happy
beings, to escape from the carking care which is clinging to his heart.
Public-domain text, read in full here on John Shaqi.
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