Authors, Irish -- 18th century -- Biography; Goldsmith, Oliver, 1730?-1774
dissipation, could have told a different story of his companion's
heart-sick gayety.
In this forced mood Goldsmith gave entertainments in his chambers in the
Temple; the last of which was a dinner to Johnson, Reynolds, and others of
his intimates, who partook with sorrow and reluctance of his imprudent
hospitality. The first course vexed them by its needless profusion. When a
second, equally extravagant, was served up, Johnson and Reynolds declined
to partake of it; the rest of the company, understanding their motives,
followed their example, and the dishes went from the table untasted.
Goldsmith felt sensibly this silent and well-intended rebuke.
The gayeties of society, however, cannot medicine for any length of time a
mind diseased. Wearied by the distractions and harassed by the expenses of
a town life, which he had not the discretion to regulate, Goldsmith took
the resolution, too tardily adopted, of retiring to the serene quiet and
cheap and healthful pleasures of the country, and of passing only two
months of the year in London. He accordingly made arrangements to sell his
right in the Temple chambers, and in the month of March retired to his
country quarters at Hyde, there to devote himself to toil. At this
dispirited juncture, when inspiration seemed to be at an end, and the
poetic fire extinguished, a spark fell on his combustible imagination and
set it in a blaze.
He belonged to a temporary association of men of talent, some of them
members of the Literary Club, who dined together occasionally at the St.
James' Coffee-house. At these dinners, as usual, he was one of the last to
arrive. On one occasion, when he was more dilatory than usual, a whim
seized the company to write epitaphs on him, as "The late Dr. Goldsmith,"
and several were thrown off in a playful vein, hitting off his
peculiarities. The only one extant was written by Garrick, and has been
preserved, very probably, by its pungency:
"Here lies poet Goldsmith, for shortness called Noll,
Who wrote like an angel, but talked like poor poll."
Goldsmith did not relish the sarcasm, especially as coming from such a
quarter. He was not very ready at repartee; but he took his time, and in
the interval of his various tasks concocted a series of epigrammatic
sketches, under the title of Retaliation, in which the characters of his
distinguished intimates were admirably hit off, with a mixture of generous
praise and good-humored raillery. In fact, the poem for its graphic truth;
its nice discrimination; its terse good sense, and its shrewd knowledge of
the world, must have electrified the club almost as much as the first
appearance of The Traveler, and let them still deeper into the character
and talents of the man they had been accustomed to consider as their butt.
Retaliation, in a word, closed his accounts with the club, and balanced all
his previous deficiencies.
Public-domain text, read in full here on John Shaqi.
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