The reputation of Goldsmith, it will be perceived, grew slowly; he was known and estimated by a few; but he had not those brilliant though fallacious qualities which flash upon the public and excite loud but transient applause. His works were more read than cited; and the charm of style, for which he was especially noted, was more apt to be felt than talked about. He used often to repine, in a half-humorous, half-querulous manner, at his tardiness in gaining the laurels which he felt to be his due. "The public," he would exclaim, "will never do me justice; whenever I write anything they make a point to know nothing about it." About the beginning of 1763 he became acquainted with Boswell, whose literary gossipings were destined to have a deleterious effect upon his reputation. Boswell was at that time a young man, light, buoyant, pushing, and presumptuous. He had a morbid passion for mingling in the society of men noted for wit and learning, and had just arrived from Scotland, bent upon making his way into the literary circles of the metropolis. An intimacy with Dr. Johnson, the great literary luminary of the day, was the crowning object of his aspiring and somewhat ludicrous ambition. He expected to meet him, at a dinner to which he was invited at Davies the bookseller's, but was disappointed. Goldsmith was present, but he was not as yet sufficiently renowned to excite the reverence of Boswell. "At this time," says he in his notes, "I think he had published nothing with his name, though it was pretty generally understood that one Dr. Goldsmith was the author of An Inquiry into the Present State of Polite Learning in Europe, and of The Citizen of the World, a series of letters supposed to be written from London by a Chinese." A conversation took place at table between Goldsmith and Mr. Robert Dodsley, compiler of the well-known collection of modern poetry, as to the merits of the current poetry of the day. Goldsmith declared there was none of superior merit. Dodsley cited his own collection in proof of the contrary. "It is true," said he, "we can boast of no palaces nowadays, like Dryden's Ode to St. Cecilia's Day, but we have villages composed of very pretty houses." Goldsmith, however, maintained that there was nothing above mediocrity, an opinion in which Johnson, to whom it was repeated, concurred, and with reason, for the era was one of the dead levels of British poetry.