Authors, Irish -- 18th century -- Biography; Goldsmith, Oliver, 1730?-1774
We hear much about "poetic inspiration," and the "poet's eye in a fine
frenzy rolling"; but Sir Joshua Reynolds gives an anecdote of Goldsmith
while engaged upon his poem, calculated to cure our notions about the ardor
of composition. Calling upon the poet one day, he opened the door without
ceremony, and found him in the double occupation of turning a couplet and
teaching a pet dog to sit upon his haunches. At one time he would glance
his eye at his desk, and at another shake his finger at the dog to make him
retain his position. The last lines on the page were still wet; they form a
part of the description of Italy:
"By sports like these are all their cares beguiled,
The sports of children satisfy the child."
Goldsmith, with his usual good-humor, joined in the laugh caused by his
whimsical employment, and acknowledged that his boyish sport with the dog
suggested the stanza The poem was published on the 19th of December, 1764,
in a quarto form, by Newbery, and was the first of his works to which
Goldsmith prefixed his name. As a testimony of cherished and well-merited
affection, he dedicated it to his brother Henry. There is an amusing
affectation of indifference as to its fate expressed in the dedication.
"What reception a poem may find," says he, "which has neither abuse, party,
nor blank verse to support it, I cannot tell, nor am I solicitous to know."
The truth is, no one was more emulous and anxious for poetic fame; and
never was he more anxious than in the present instance, for it was his
grand stake. Dr. Johnson aided the launching of the poem by a favorable
notice in the "Critical Review"; other periodical works came out in its
favor. Some of the author's friends complained that it did not command
instant and wide popularity; that it was a poem to win, not to strike; it
went on rapidly increasing in favor; in three months a second edition was
issued; shortly afterward a third; then a fourth; and, before the year was
out, the author was pronounced the best poet of his time.
The appearance of The Traveler at once altered Goldsmith's intellectual
standing in the estimation of society; but its effect upon the club, if we
may judge from the account given by Hawkins, was most ludicrous. They were
lost in astonishment that a "newspaper essayist" and "bookseller's, drudge"
should have written such a poem. On the evening of its announcement to them
Goldsmith had gone away early, after "rattling away as usual," and they
knew not how to reconcile his heedless garrulity with the serene beauty,
the easy grace, the sound good sense, and the occasional elevation of his
poetry. They could scarcely believe that such magic numbers had flowed from
a man to whom in general, says Johnson, "it was with difficulty they could
give a hearing." "Well", exclaimed Chamier, "I do believe he wrote this
poem himself, and, let me tell you, that is believing a great deal."
Public-domain text, read in full here on John Shaqi.
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