Bildungsromans; Boys -- Fiction; Criminals -- Fiction; Kidnapping victims -- Fiction; London (England) -- Fiction; Orphans -- Fiction
The room was illuminated by two gas-lights; the glare of which was
prevented by the barred shutters, and closely-drawn curtains of faded
red, from being visible outside. The ceiling was blackened, to prevent
its colour from being injured by the flaring of the lamps; and the
place was so full of dense tobacco smoke, that at first it was scarcely
possible to discern anything more. By degrees, however, as some of it
cleared away through the open door, an assemblage of heads, as confused
as the noises that greeted the ear, might be made out; and as the eye
grew more accustomed to the scene, the spectator gradually became aware
of the presence of a numerous company, male and female, crowded round a
long table: at the upper end of which, sat a chairman with a hammer of
office in his hand; while a professional gentleman with a bluish nose,
and his face tied up for the benefit of a toothache, presided at a
jingling piano in a remote corner.
As Fagin stepped softly in, the professional gentleman, running over
the keys by way of prelude, occasioned a general cry of order for a
song; which having subsided, a young lady proceeded to entertain the
company with a ballad in four verses, between each of which the
accompanyist played the melody all through, as loud as he could. When
this was over, the chairman gave a sentiment, after which, the
professional gentleman on the chairman’s right and left volunteered a
duet, and sang it, with great applause.
It was curious to observe some faces which stood out prominently from
among the group. There was the chairman himself, (the landlord of the
house,) a coarse, rough, heavy built fellow, who, while the songs were
proceeding, rolled his eyes hither and thither, and, seeming to give
himself up to joviality, had an eye for everything that was done, and
an ear for everything that was said—and sharp ones, too. Near him were
the singers: receiving, with professional indifference, the compliments
of the company, and applying themselves, in turn, to a dozen proffered
glasses of spirits and water, tendered by their more boisterous
admirers; whose countenances, expressive of almost every vice in almost
every grade, irresistibly attracted the attention, by their very
repulsiveness. Cunning, ferocity, and drunkeness in all its stages,
were there, in their strongest aspect; and women: some with the last
lingering tinge of their early freshness almost fading as you looked:
others with every mark and stamp of their sex utterly beaten out, and
presenting but one loathsome blank of profligacy and crime; some mere
girls, others but young women, and none past the prime of life; formed
the darkest and saddest portion of this dreary picture.
Public-domain text, read in full here on John Shaqi.
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