Oliver Twist; or, The Parish Boy's Progress. IllustratedDickens, Charles
General
Oliver Twist; or, The Parish Boy's Progress. Illustrated
Dickens, Charles
Bildungsromans; Boys -- Fiction; Criminals -- Fiction; Kidnapping victims -- Fiction; London (England) -- Fiction; Orphans -- Fiction
It was into this place that the Jew turned. He was well known to
the sallow denizens of the lane; for such of them as were on the
look-out to buy or sell, nodded, familiarly, as he passed along. He
replied to their salutations in the same way; but bestowed no closer
recognition until he reached the further end of the alley; when he
stopped, to address a salesman of small stature, who had squeezed as
much of his person into a child’s chair as the chair would hold, and
was smoking a pipe at his warehouse door.
‘Why, the sight of you, Mr. Fagin, would cure the hoptalmy!’ said
this respectable trader, in acknowledgment of the Jew’s inquiry
after his health.
‘The neighbourhood was a little too hot, Lively,’ said Fagin,
elevating his eyebrows, and crossing his hands upon his shoulders.
‘Well, I’ve heerd that complaint of it, once or twice before,’
replied the trader; ‘but it soon cools down again; don’t you find it
so?’
Fagin nodded in the affirmative. Pointing in the direction of
Saffron Hill, he inquired whether any one was up yonder to-night.
‘At the Cripples?’ inquired the man.
The Jew nodded.
‘Let me see,’ pursued the merchant, reflecting.
‘Yes, there’s some half-dozen of ‘em gone in, that I knows. I don’t
think your friend’s there.’
‘Sikes is not, I suppose?’ inquired the Jew, with a disappointed
countenance.
‘_Non istwentus_, as the lawyers say,’ replied the little man,
shaking his head, and looking amazingly sly. ‘Have you got anything
in my line to-night?’
‘Nothing to-night,’ said the Jew, turning away.
‘Are you going up to the Cripples, Fagin?’ cried the little man,
calling after him. ‘Stop! I don’t mind if I have a drop there with
you!’
But as the Jew, looking back, waved his hand to intimate that he
preferred being alone; and, moreover, as the little man could
not very easily disengage himself from the chair; the sign of the
Cripples was, for a time, bereft of the advantage of Mr. Lively’s
presence. By the time he had got upon his legs, the Jew had
disappeared; so Mr. Lively, after ineffectually standing on tiptoe,
in the hope of catching sight of him, again forced himself into the
little chair, and, exchanging a shake of the head with a lady in
the opposite shop, in which doubt and mistrust were plainly mingled,
resumed his pipe with a grave demeanour.
The Three Cripples, or rather the Cripples; which was the sign by
which the establishment was familiarly known to its patrons: was the
public-house in which Mr. Sikes and his dog have already figured.
Merely making a sign to a man at the bar, Fagin walked straight
upstairs, and opening the door of a room, and softly insinuating
himself into the chamber, looked anxiously about: shading his eyes
with his hand, as if in search of some particular person.
Public-domain text, read in full here on John Shaqi.
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