Oliver Twist; or, The Parish Boy's Progress. IllustratedDickens, Charles
General
Oliver Twist; or, The Parish Boy's Progress. Illustrated
Dickens, Charles
Bildungsromans; Boys -- Fiction; Criminals -- Fiction; Kidnapping victims -- Fiction; London (England) -- Fiction; Orphans -- Fiction
These stairs are a part of the bridge; they consist of three
flights. Just below the end of the second, going down, the stone
wall on the left terminates in an ornamental pilaster facing towards
the Thames. At this point the lower steps widen: so that a person
turning that angle of the wall, is necessarily unseen by any others
on the stairs who chance to be above him, if only a step. The
countryman looked hastily round, when he reached this point; and
as there seemed no better place of concealment, and, the tide being
out, there was plenty of room, he slipped aside, with his back to
the pilaster, and there waited: pretty certain that they would come
no lower, and that even if he could not hear what was said, he could
follow them again, with safety.
So tardily stole the time in this lonely place, and so eager was the
spy to penetrate the motives of an interview so different from what
he had been led to expect, that he more than once gave the matter
up for lost, and persuaded himself, either that they had stopped far
above, or had resorted to some entirely different spot to hold their
mysterious conversation. He was on the point of emerging from his
hiding-place, and regaining the road above, when he heard the sound
of footsteps, and directly afterwards of voices almost close at his
ear.
He drew himself straight upright against the wall, and, scarcely
breathing, listened attentively.
‘This is far enough,’ said a voice, which was evidently that of the
gentleman. ‘I will not suffer the young lady to go any farther. Many
people would have distrusted you too much to have come even so far,
but you see I am willing to humour you.’
‘To humour me!’ cried the voice of the girl whom he had followed.
‘You’re considerate, indeed, sir. To humour me! Well, well, it’s no
matter.’
‘Why, for what,’ said the gentleman in a kinder tone, ‘for what
purpose can you have brought us to this strange place? Why not have
let me speak to you, above there, where it is light, and there is
something stirring, instead of bringing us to this dark and dismal
hole?’
‘I told you before,’ replied Nancy, ‘that I was afraid to speak to
you there. I don’t know why it is,’ said the girl, shuddering, ‘but
I have such a fear and dread upon me to-night that I can hardly
stand.’
‘A fear of what?’ asked the gentleman, who seemed to pity her.
‘I scarcely know of what,’ replied the girl. ‘I wish I did. Horrible
thoughts of death, and shrouds with blood upon them, and a fear that
has made me burn as if I was on fire, have been upon me all day.
I was reading a book to-night, to wile the time away, and the same
things came into the print.’
‘Imagination,’ said the gentleman, soothing her.
‘No imagination,’ replied the girl in a hoarse voice. ‘I’ll swear
I saw “coffin” written in every page of the book in large black
letters,--aye, and they carried one close to me, in the streets
to-night.’
‘There is nothing unusual in that,’ said the gentleman. ‘They have
passed me often.’
Public-domain text, read in full here on John Shaqi.
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