Oliver Twist; or, The Parish Boy's Progress. IllustratedDickens, Charles
General
Oliver Twist; or, The Parish Boy's Progress. Illustrated
Dickens, Charles
Bildungsromans; Boys -- Fiction; Criminals -- Fiction; Kidnapping victims -- Fiction; London (England) -- Fiction; Orphans -- Fiction
‘Never mind me, my dear,’ said the old lady; ‘I’m only having
a regular good cry. There; it’s all over now; and I’m quite
comfortable.’
‘You’re very, very kind to me, ma’am,’ said Oliver.
‘Well, never you mind that, my dear,’ said the old lady; ‘that’s got
nothing to do with your broth; and it’s full time you had it; for
the doctor says Mr. Brownlow may come in to see you this morning;
and we must get up our best looks, because the better we look, the
more he’ll be pleased.’ And with this, the old lady applied herself
to warming up, in a little saucepan, a basin full of broth: strong
enough, Oliver thought, to furnish an ample dinner, when reduced to
the regulation strength, for three hundred and fifty paupers, at the
lowest computation.
‘Are you fond of pictures, dear?’ inquired the old lady, seeing that
Oliver had fixed his eyes, most intently, on a portrait which hung
against the wall; just opposite his chair.
‘I don’t quite know, ma’am,’ said Oliver, without taking his eyes
from the canvas; ‘I have seen so few that I hardly know. What a
beautiful, mild face that lady’s is!’
‘Ah!’ said the old lady, ‘painters always make ladies out prettier
than they are, or they wouldn’t get any custom, child. The man that
invented the machine for taking likenesses might have known that
would never succeed; it’s a deal too honest. A deal,’ said the old
lady, laughing very heartily at her own acuteness.
‘Is--is that a likeness, ma’am?’ said Oliver.
‘Yes,’ said the old lady, looking up for a moment from the broth;
‘that’s a portrait.’
‘Whose, ma’am?’ asked Oliver.
‘Why, really, my dear, I don’t know,’ answered the old lady in a
good-humoured manner. ‘It’s not a likeness of anybody that you or I
know, I expect. It seems to strike your fancy, dear.’
‘It is so pretty,’ replied Oliver.
‘Why, sure you’re not afraid of it?’ said the old lady: observing
in great surprise, the look of awe with which the child regarded the
painting.
‘Oh no, no,’ returned Oliver quickly; ‘but the eyes look so
sorrowful; and where I sit, they seem fixed upon me. It makes my
heart beat,’ added Oliver in a low voice, ‘as if it was alive, and
wanted to speak to me, but couldn’t.’
‘Lord save us!’ exclaimed the old lady, starting; ‘don’t talk in
that way, child. You’re weak and nervous after your illness. Let me
wheel your chair round to the other side; and then you won’t see
it. There!’ said the old lady, suiting the action to the word; ‘you
don’t see it now, at all events.’
Public-domain text, read in full here on John Shaqi.
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