Bildungsromans; Boys -- Fiction; Criminals -- Fiction; Kidnapping victims -- Fiction; London (England) -- Fiction; Orphans -- Fiction
“See there, there—” cried Oliver, eagerly clasping the hand of Rose,
and pointing out at the carriage window,—“that’s the stile I came
over, there are the hedges I crept behind for fear any one should
overtake me and force me back, yonder is the path across the fields
leading to the old house where I was a little child. Oh Dick, Dick, my
dear old friend, if I could only see you now!”
“You will see him soon,” replied Rose, gently taking his folded hands
between her own. “You shall tell him how happy you are, and how rich
you have grown, and that in all your happiness you have none so great
as the coming back to make him happy too.”
“Yes, yes,” said Oliver, “and we’ll—we’ll take him away from here,
and have him clothed and taught, and send him to some quiet country
place where he may grow strong and well,—shall we?”
Rose nodded “yes,” for the boy was smiling through such happy tears
that she could not speak.
“You will be kind and good to him, for you are to every one,” said
Oliver. “It will make you cry, I know, to hear what he can tell; but
never mind, never mind, it will be all over, and you will smile again,
I know that too—to think how changed he is; you did the same with me.
He said ‘God bless you’ to me when I ran away,” cried the boy with a
burst of affectionate emotion; “and I will say ‘God bless _you_’ now,
and show him how I love him for it!”
As they approached the town and at length drove through its narrow
streets, it became matter of no small difficulty to restrain the boy
within reasonable bounds. There was Sowerberry’s the undertaker’s, just
as it used to be, only smaller and less imposing in appearance than
he remembered it—all the well-known shops and houses, with almost
every one of which he had some slight incident connected—Gamfield’s
cart, the very cart he used to have, standing at the old public-house
door—the workhouse, the dreary prison of his youthful days, with its
dismal windows frowning on the street—the same lean porter standing
at the gate, at sight of whom Oliver involuntarily shrunk back, and
then laughed at himself for being so foolish, then cried, then laughed
again—scores of faces at the doors and windows that he knew quite
well—nearly everything as if he had left it but yesterday and all his
recent life had been but a happy dream.
Public-domain text, read in full here on John Shaqi.
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