Olivia : $b or, It was for her sakeGarvice, Charles
General
Olivia : $b or, It was for her sake
Garvice, Charles
Dime novels; English fiction
She was tall, but so exquisitely made, and every limb so perfectly
proportioned, that she did not look more than a medium height. She
was, of course, dressed in silk tights, which displayed her handsome
figure, and that small portion of her attire which was not composed
of silk tights was of ruby plush, flecked here and there by diamonds,
which in this case were real; but few would have given a second glance
at the diamonds after seeing her face. It was a singular one. She was
dark, and her hair, tightly coiled at the crown of her shapely head,
was black, and the face was striking in its mixture of audacity and
simplicity. She came to the footlights with a smile that was at once
defiant and self-assertive, but at the same time there was a look of
almost gentle depreciation, of childlike gayety, in her dark eyes.
It was as much her beauty as her marvelous skill on the trapeze that
drew the crowds to the Palace during her engagement.
As she came forward into the glare of the footlights, Seth raised his
eyes and looked at her with piercing scrutiny, then softly and slowly
drew back, slid back, into the shadow of the balcony.
Her appearance was the signal for a loud outburst of applause, and a
buzz of excitement ran through the audience, “the swells” drew a few
inches nearer, as if fascinated, and the band, which had paused during
her reception, broke into a gay and exhilarating air.
She acknowledged the enthusiastic welcome with a smile and a nod, while
a couple of stage attendants in gorgeous liveries seized a rope that
hung from the lofty ceiling, and with every sign of respect brought
it within her reach. She sprang at it as a cat springs at a bird,
and, with a grace and ease almost incredible, drew herself up to the
trapeze, which hung at a giddy height above the stalls.
Trapeze performances are very much alike, but Bella-Bella’s was
distinguished by its audacity, and the grace with which it was
executed. She and the trapeze seemed to be part and parcel of the same
machine. One moment she was swinging by one hand, her lithe body at
right angles; the next she was suspended by her feet and nothing else,
her face smiling down at the audience beneath her, as if to hang head
downwards forty yards above the earth were the commonest of feats.
There was a ladder suspended lengthways just below the ceiling, and,
with an effort which seemed effortless, she reached it, and traveled
along it, first by one hand and then by one foot. Then she dropped like
a feather to the trapeze again, and knelt on one knee. Suddenly, while
the applause was almost deafening, she uttered a cry of feigned terror,
and dropped like a stone into the net beneath. Broken as her fall was
by the net, it would have shaken the life out of an ordinary man, to
say nothing of woman, but almost instantly she was on her feet again,
and, seizing the guide-rope, was slowly swung onto the stage.
Public-domain text, read in full here on John Shaqi.
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