The press has been, and will probably for a long while continue to be,
the enemy of the aristocracy; and it is hardly reasonable to expect that
the aristocracy should admit the enemy within its camp. For, be it
observed, whether a man write a political pamphlet or a novel, he has
still the same opportunity of expressing his sentiments, of flattering
the public by espousing their opinions; and as a writer of fiction,
perhaps, his opinions have more effect that as a pamphleteer. In the
first instance, you are prepared to expect a political partisan; in the
latter, you read for amusement, and unconsciously receive the bias. For
one who reads a political pamphlet (by-the-by, they are generally only
read by those who are of the same way of thinking as the author) there
are hundreds who read through a work of fiction, so that the opinions of
the latter are much more widely disseminated. Now, as most works are
written for profit as well as reputation, they are naturally so worded
as to insure the good-will of the majority, otherwise they would not
have so extensive a sale. The majority being decidedly liberal, every
work that now appears more or less attacks the higher orders. When,
therefore, a gentleman who has been well received in the best society
ventures upon writing a work, it is quite sufficient to state that he is
an author (without his book being read) to occasion him to "_lose
caste_" to a certain degree. Authors have been the enemies of the
higher classes. You have become an author--consequently you have ranked
yourself with our enemies. Henry Bulwer, therefore, is right where he
asserts that "to be known as an author is to your prejudice among the
higher classes."
Having made these observations to point out that the aristocracy and the
press are at variance, let us now examine into the merits of authors, as
mixing in society. And here I think it will be proved that it is more
their misfortune than their fault that there should be a prejudice
against them. They are overrated before they are seen, and underrated
afterwards.
Public-domain text, read in full here on John Shaqi.
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