Now these are all first-rate authors in their various styles; and I can
challenge any one to bring forward an equal number out of the whole mass
who are so powerful or delightful in society. And there is still more
to be said in favour of authors. I know many whose conversation is
superior to their writings; I will not name them as they, perhaps, would
not consider this to be a compliment but it fully tends to disprove the
remarks of the "Desennuyee" as to authors of talent reserving their
thoughts for their hooks, for, on the _contrary_, when in company, they
generally take the lead. Still, there is a difference arising from the
variety of temperament: some, accustomed to mix constantly in society,
will be indifferent whether they are acquainted with the parties present
or not; others, more retiring, require to feel at their ease, and it is
only in small coteries, and among friends, that their real value can be
appreciated. Theodore Hooke is a proof of the former, the late Charles
Lamb was of the latter. Some shine most when they have no competitors;
others are only to be brought out when other men of talent are in
company, and, like the flint and steel, their sparks are only to be
produced by collision.
If I might be permitted to offer an opinion to the authors themselves,
it would be, not to mix in general company, but confine themselves to
their own friends. They would stand much higher in reputation if they
adhered to this plan; above all, let them avoid what the author of the
"Desennuyee" terms those "Skinnerian lion feeds" given by those who have
no talent to appreciate, and who, to fill their menagerie, will mix you
up with foreign swindlers, and home-bred ruffians. This is most
humiliating and has certainly injured the fraternity.
I have but one more remark to make. Authors in England have little to
expect from the Government and the aristocracy. Pensions and honours
have been given, but until Sir Robert Peel set a more worthy example,
they were bestowed for the support of political opinions, not as a
reward of talent. That the aristocracy, with but a few exceptions, have
not fostered talent, is most true; and they are now suffering from their
want of judgment. They have shut their doors to authors, and the
authors have been gradually undermining their power. To what extent
this may be carried, it is impossible to say; but one thing is certain,
that the press is more powerful than either king or lords, and that, if
the conflict continue, the latter must yield to the influence of the
former, who will have ample retaliation for the neglect to which they
have been subjected.
Public-domain text, read in full here on John Shaqi.
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