_A_. Nothing can be better. Barnstaple, you are really --, but I say
no more. If a truly great man cannot be flattered with delicacy, it
must not be attempted at all; silence then becomes the best tribute.
Your advice proves you to be truly great. I am silent, therefore you
understand the full force of the oratory of my thanks.
_B (bowing_.) Well, Ansard, you have found out the cheapest way of
paying off your bills of gratitude I ever heard of. "Poor, even in
thanks," was well said by Shakespeare; but you, it appears, are rich, in
having nothing at all wherewith to pay. If you could transfer the same
doctrine to your tradesmen, you need not write novels.
_A_. Alas! my dear fellow, mine is not yet written. There is one
important feature, nay, the most important feature of all--the style of
language, the diction--on that, Barnstaple, you have not yet
doctrinated.
_B (pompously_.) When Demosthenes was asked what were the principal
attributes of eloquence, he answered, that the first was action; on
being asked which was the second, he replied, action; and the third,
action; and such is the idea of the Irish _mimbers_ in the House of
Commons. Now there are three important requisites in the diction of a
fashionable novel. The first, my dear fellow, is--flippancy; the
second, flippancy; and flippancy is also the third. With the dull it
will pass for wit, with some it will pass for scorn,--and even the witty
will not be enabled to point out the difference, without running the
risk of being considered invidious. It will cover every defect with a
defect still greater; for who can call small beer tasteless when it is
sour, or dull when it is bottled and has a froth upon it?
_A_. The advice is excellent; but I fear that this flippancy is as
difficult to acquire an the tone of true eloquence.
_B_. Difficult! I defy the writers of the silver-fork school to write
out of the style flippant. Read but one volume of --, and you will be
saturated with it; but if you wish to go to the fountain-head, do as
have done most of the late fashionable novel-writers, repair to their
instructors--the lady's-maid, for flippancy in the vein _spirituelle_!
to a London footman for the vein critical; but, if you wish a flippancy
of a still higher order, at once more solemn and more empty, which I
would call the vein political, read the speeches of some of our members
of Parliament. Only read them, I wish no man so ill an to inflict upon
him the torture of hearing them--read them, I say, and you will have
taken the very highest degree in the order of inane flippancy.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account