Olympic Victor Monuments and Greek Athletic ArtHyde, Walter Woodburn
History
Olympic Victor Monuments and Greek Athletic Art
Hyde, Walter Woodburn
Olympics; Sculpture, Greek; Sports -- Greece
harnessing of two horses to a racing-car is seen on an archaic b.-f.
hydria in Berlin (Pl. 26).[1859] Here a third horse appears, led by
a nude youth, who is crowned, and who therefore probably represents
a victorious horse-racer. Several other b.-f. vase-paintings showing
four-horse chariots have been collected by Gerhard.[1860] However,
we are not dependent upon vase-paintings and coins to judge of the
magnificence of Greek chariots of the historical period, for we have
actual remains of them—war-chariots, to be sure, but not very unlike
the ones used at the corresponding dates in Olympia. Among these is
the fine bronze _biga_ found in the grave of an Italian prince at
Monteleone, Etruria, in 1902, and now one of the chief treasures of
the Metropolitan Museum in New York.[1861] This is a war-chariot of the
beginning of the sixth century B. C., the only complete ancient bronze
chariot now known. The restored frame of wood is sheathed with thin
bronze plates richly ornamented with reliefs in repoussé. Because of
its form and its relationship to chariots appearing on archaic Ionic
monuments of Asia Minor, for example, on the reliefs of sarcophagi
from Klazomenai, and because of the strong resemblance between its
decorative designs and those of archaic Italian monuments of Ionicizing
style, Furtwaengler has classed it as the product of Ionic Greek art.
Professor Chase, on the other hand, finds these decorations pure
Etruscan in character, comparing them with the reliefs on three bronze
tripods in the possession of Mr. James Loeb, which are dated some half
a century later.[1862] In any case this chariot is “_das glaenzendste,
vollstaendigste_” archaic metal work yet recovered. In the British
Museum there are considerable remnants of the chariot-group of King
Mausolos and his wife Artemisia, which once stood on the apex of the
Mausoleion at Halikarnassos, the work, according to Pliny,[1863] of
Pythis (or Pytheos), the architect and historian of the tomb.[1864]
Besides the figures of the royal pair, we have the head of one horse,
the hinder half of another, fragments of still others, and one wheel of
the chariot.[1865]
CHARIOT-GROUPS AT OLYMPIA.
Public-domain text, read in full here on John Shaqi.
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