A detailed comparison of this head with that of the _Agias_ will show wherein the wonderful resemblance—so striking at first glance—consists and will disclose its Lysippan character. Neither head is a portrait, nor even individualized; the _Agias_ could be no portrait, for Agias was the great-grandfather of Daochos, who enlisted the services of his contemporary Lysippos in erecting his statue, and he won his victory in the pankration more than a century before this statue was set up.[2070] A glance at the head from Olympia also clearly discloses its ideal character; for it is no portrait of Philandridas, but the victor κατ’ ἐξοχήν in the pankration. The small head of the _Agias_—under life-size—first arrests attention as the chief characteristic of the whole statue and (taken with the other proportions of the body) as the chief mark of its Lysippan origin. As Homolle says, it is not that small heads are not found outside the school of Lysippos or before his day—for Myron can furnish examples of them—but it is only with Lysippos and after him that we see a conscious intention of having the proportions thus reduced. Now the head from Olympia is also less than life-size,[2071] but as the head alone is preserved, we can only assume that the proportions it bore to the body were similar to those we see in the statue of Agias. The conformation of the crania of both is, as in Attic works, round, with small, only slightly projecting occiputs, as opposed to the squareness of Polykleitan heads, which are longer from front to back and flatter on top—showing how Lysippos in this respect departed from the creator of the _Doryphoros_. This cranial conformation is almost identical in the two heads, as is clearly shown in Fig. 70, where one is drawn in profile over the other. [Illustration: FIG. 70.—Profile Drawings of the Heads of the _Agias_ and the _Philandridas_.]