The monumental evidence bears out the literary. Thus, on old Corinthian clay tablets freemen are represented with long hair, while slaves have short hair.[492] Hydrias from Caere (Cerveteri) and paintings from Klazomenai show that the Ionians wore their hair short for the first time in the sixth century B. C., the custom not becoming general until the fifth. Older Spartan monuments represent the hair long.[493] Attic vases show long hair on men until the second half of the sixth century B. C., when the black-figured vase masters began to represent them with short hair, a custom becoming general in the first half of the fifth. In statuary the _Diskobolos_ of Myron (Pls. 21, 26, and Figs. 34, 35) has short hair, and most statues of athletes before it have long hair, while most after it have short. Before the time of the _Diskobolos_, b.-f. and early r.-f. vase-painters often represented athletes with braided hair in the fashion of the warriors on the Aegina pediments. When short hair began to be used on athlete statues, these older braids were often replaced by victor bands.[494] We may roughly summarize by saying that statues before the date of the _Diskobolos_ which do not have long hair are probably those of athletes and not of gods, and, in any case, if they have braids bound up in the fashion of the κρωβύλος, they are almost always statues of athletes.[495] As for short hair on representations of gods, Furtwaengler has shown that it appears only after the middle of the fifth century B. C.[496] Prior to that date the hair of divinities fell over the neck and shoulders in curls, as in the statue of the _Olympian Zeus_ by Pheidias. By the time of Perikles, however, short curly hair reached only to the nape of the neck on statues of Zeus, and this style frequently appears on figures of the god on Attic vases of that period. Dionysos has short hair for the first time on the Parthenon frieze.[497] Furtwaengler has shown that Pheidias did not invent the short bound-up hair for goddess types, as we see it in the _Lemnian Athena_, but that he borrowed it from works already in existence.[498] Though the style was unknown in the archaic period, it appears on helmeted heads of Athena of the early fifth century B. C. showing Peloponnesian style—on coins, statuettes, reliefs, etc. It appears in Attic art exclusively on bareheaded types of Athena of the period just prior to that of the _Lemnia_.