All asked: “Who is the man?” for they insisted, in their amazement,
that nobody knew him. And then they found out that Jean Carriès was a
finished artist, a man of thirty-seven, who lived in the provinces, and
had, up to that time, sought nothing but the satisfaction of himself.
He had not wasted the tiniest little spark of his Promethean strength
in the vulgar melodrama of fighting for success. His tragedies were the
great struggle with the resistance of material, and doubt of himself,
and they had been played in secret in his soul. And now was pressed
upon him that for which candidates strive convulsively, and how often
fruitlessly! The Champs de Mars Society elected him with acclamation
to full membership, and dispensed him from the probationary period
is associate. The State asked for specimens to serve as models for
its museums, and tied the red ribbon to the buttonhole of his blouse.
What was purchasable was bought up by the ladies of Arc de Triomphe
quarter during the first days of the “Salon.” A rich American lady,
Mrs Winnareta Singer, commissioned him to carry out the model of his
fantastic “door.” The artists fêted him by a banquet in his honour—a
homage which at that time was not lavished as was the case afterwards.
Mdlle. Luise Breslau painted his portrait, which is now exhibited in
his room in the midst of his works, and showed his admirers a still
youngish man of noble beauty, with a Lucius Verus head, the Cæsarean
nobility of which was not in the least injured by a careless slouched
hat. I do not know whether Mdlle. Breslau has flattered her model or
has been honest, for I never saw Carriès himself; but in the picture
he appears, as one would like to fancy him, every inch a gentleman,
on whom his careless working-dress has the effect of a disguise which
does not for a second deceive as to the rank of the wearer. A delicate,
slender figure; wonderfully active, inspired hands; deep, searching
eyes that seem to sight and fix a dream-picture hovering away; soft,
narrow cheeks, on which uneasy shadows play, under the short beard; a
thoughtful, white forehead over which an abundance of light brown curls
falls. How many women may have indulged in dreams before this likeness,
for it fascinates even men!
The homage received had no intoxicating effect on him; the activity
of the Press concerning him did not infect him with the smallest
beginnings of conceit. He withdrew from the curiosity of the world by
quietly returning to his provincial nest, where, day and night, he
stoked his flaming furnace, and mixed his acids and metallic salts;
suffered under frequent disappointments, and enjoyed rare delights in
the success of a firing or a coloured enamel. In the ensuing year one
looked in vain for him in the “Salon,” and not quite two years after
his unparalleled triumph that came like a bomb, men learnt that he had
died.
Public-domain text, read in full here on John Shaqi.
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