It must be, for instance, the operation of these qualities that is leading to the continuing farce that American men are making of UNESCO’s Universal Declaration of Human Rights. They are making a farce of both its purpose and its content. Everyone knows—or certainly everyone should know—what the Universal Declaration of Human Rights is. It is a document so clearly and simply expressive of what is in the hearts and minds of the men of the masses that, indeed, a man of the masses might easily have written it. In 1946, the representatives of eighteen national governments—members of the United Nations—began work on the framing of a statement that would, as Mrs. Eleanor Roosevelt said, “establish standards for human rights and freedom the world over,” so that the recognition of these rights and freedoms “might become one of the corner-stones on which peace could eventually be based.” Two years later the Commission on Human Rights presented its declaration to the General Assembly of the United Nations. Forty-eight governments voted to accept it. What they voted to accept is stated in the preamble: “Whereas recognition of the inherent dignity and of the equal and inalienable rights of all members of the human family is the foundation of freedom, justice and peace in the world, “Whereas disregard and contempt for human rights have resulted in barbarous acts which have outraged the conscience of mankind, and the advent of a world in which human beings shall enjoy freedom of speech and belief and freedom from fear and want has been proclaimed as the highest aspiration of the common people.... “Whereas the peoples of the United Nations have in the Charter reaffirmed their faith in fundamental human rights, in the dignity and worth of the human person and in the equal rights of men and women and have determined to promote social progress and better standards of life in larger freedom....” This was fine and hopeful, and, indeed, the more so that the Declaration was born of the Charter of the United Nations. The Charter is no blueprint for an abstract world. It sets a premium on maturity, of course; but also it sets a premium on respect for reality.