On Board the "Rocket"Adams, Robert C. (Robert Chamblet)
History
On Board the "Rocket"
Adams, Robert C. (Robert Chamblet)
Seafaring life
to be unable to carry off the bag of a thousand dollars in gold, the
price of his work."
Speaking of tarring without tar reminds me how this difficulty was
overcome. Having had a great deal of work, turning in and fitting
the rigging, the supply of tar gave out, and when we reached the
south-east trades in the Atlantic, and were rolling down to St. Helena,
an inspection of the tar-barrel showed it was only fit for a bonfire
on the next dark night. How should we make the rigging black and
shiny? was the query of thoughts, dreams and discussions in succeeding
days and nights. I will confess what I did, but do not recommend the
process. Two bundles of rattans were chopped up and consumed in the
cook's stove with the draft checked. The ashes were placed in a barrel
and pounded fine with an impromptu pestle, then linseed oil and varnish
were added, and with this production, well stirred, all the ropes were
"tarred" with such good effect that many old sailors admired the black
gloss of the rigging as they inspected the vessel at Central Wharf.
But using up the paint oil for this, brought about another crisis. How
should we paint ship? That was most essential to our good appearance.
After many experiments the kerosene oil was selected to serve as the
substitute, the sailors' whale oil was appropriated to cabin use, and
Jack was invited to illuminate his premises with a slush lamp, a wick
floated in beef fat contained in a tin can. So the ship was painted!
These are samples of the makeshifts of sea life.
The first moonless evening was appointed for the final ending of the
tar-barrel. It was sawn in two, the smaller half being chopped up and
deposited with the carpenter's chips and shavings in the remaining
part. A bit of old rope from the "shakings barrel" suspends it over the
side, while the cook with a fire-brand ignites the contents. As the
flames gather volume the barrel is dropped into the sea. The sailors
spring to the rail or into the rigging to watch it as it emerges from
under the ship's counter and is left astern in the wake. For awhile
it blazes fiercely and continuously, then it disappears--ah, it's
gone! No, the swell hides it. There it is again! Its disappearances
and reappearances occur at gradually lengthening intervals till it no
longer can be seen from deck. The second mate runs half way up the
mizzen-rigging and exclaims, "I see it." Soon he shouts "I can just see
it from the topmast cross-trees." Then it is given up, faces are turned
from the stern to the bow, for the gaze on shipboard is always forward,
seldom backwards, and as the ship presses on into the dark night, we
think with subdued feelings of the lost light, and fall to moralizing
or musing as the disposition of each inclines him.
The south-east trades took us to the line and then the doldrums raged
again, but instead of giving a repetition of the miseries of this
region I will relate the second mate's yarn about a "Wild Ship."
Public-domain text, read in full here on John Shaqi.
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