To one who has watched the potter at his wheel, it is plain that the
potter’s thumb, like the glass-blower’s blast of air, depends for
its efficacy upon the physical properties of the medium on which it
operates, which for the time being is essentially a fluid. The cup
and the saucer, like the tube and the bulb, display (in their simple
and primitive forms) beautiful surfaces of equilibrium as manifested
under certain limiting conditions. They are neither more nor less than
glorified “splashes,” formed slowly, under conditions of restraint
which enhance or reveal their mathematical symmetry. We have seen, and
we shall see again before we are done, that the art of the glass-blower
is full of lessons for the naturalist as also for the physicist:
illustrating as it does the development of a host of mathematical
configurations and organic conformations which depend essentially on
the establishment of a constant and uniform pressure within a _closed_
elastic shell or fluid envelope. In like manner the potter’s art
illustrates the somewhat obscurer and more complex problems (scarcely
less frequent in biology) of a figure of equilibrium which is an
_open_ surface, or solid, of revolution. It is clear, at the same
time, that the two series of problems are closely akin; for the {239}
glass-blower can make most things that the potter makes, by cutting
off _portions_ of his hollow ware. And besides, when this fails, and
the glass-blower, ceasing to blow, begins to use his rod to trim
the sides or turn the edges of wineglass or of beaker, he is merely
borrowing a trick from the craft of the potter.
It would be venturesome indeed to extend our comparison with these
liquid surface-tension phenomena from the cup or calycle of the
hydrozoon to the little hydroid polype within: and yet I feel convinced
that there is something to be learned by such a comparison, though
not without much detailed consideration and mathematical study of
the surfaces concerned. The cylindrical body of the tiny polype, the
jet-like row of tentacles, the beaded annulations which these tentacles
exhibit, the web-like film which sometimes (when they stand a little
way apart) conjoins their bases, the thin annular film of tissue which
surrounds the little organism’s mouth, and the manner in which this
annular “peristome” contracts[295], like a shrinking soap-bubble, to
close the aperture, are every one of them features to which we may find
a singular and striking parallel in the surface-tension phenomena which
Mr Worthington has illustrated and demonstrated in the case of the
splash.
Public-domain text, read in full here on John Shaqi.
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