On Heroes, Hero-Worship, and the Heroic in HistoryCarlyle, Thomas
Philosophy
On Heroes, Hero-Worship, and the Heroic in History
Carlyle, Thomas
Hero worship; Heroes
Once, he looks out from his solitary Patmos, the Castle of Coburg, in
the middle of the night: The great vault of Immensity, long flights of
clouds sailing through it,--dumb, gaunt, huge:--who supports all that?
"None ever saw the pillars of it; yet it is supported." God supports it.
We must know that God is great, that God is good; and trust, where
we cannot see.--Returning home from Leipzig once, he is struck by the
beauty of the harvest-fields: How it stands, that golden yellow corn,
on its fair taper stem, its golden head bent, all rich and waving
there,--the meek Earth, at God's kind bidding, has produced it once
again; the bread of man!--In the garden at Wittenberg one evening at
sunset, a little bird has perched for the night: That little bird, says
Luther, above it are the stars and deep Heaven of worlds; yet it has
folded its little wings; gone trustfully to rest there as in its home:
the Maker of it has given it too a home!--Neither are mirthful turns
wanting: there is a great free human heart in this man. The common
speech of him has a rugged nobleness, idiomatic, expressive, genuine;
gleams here and there with beautiful poetic tints. One feels him to be
a great brother man. His love of Music, indeed, is not this, as it were,
the summary of all these affections in him? Many a wild unutterability
he spoke forth from him in the tones of his flute. The Devils fled from
his flute, he says. Death-defiance on the one hand, and such love of
music on the other; I could call these the two opposite poles of a great
soul; between these two all great things had room.
Public-domain text, read in full here on John Shaqi.
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