On Horseback Through Asia Minor, Volume 1 (of 2)Burnaby, Fred
History
On Horseback Through Asia Minor, Volume 1 (of 2)
Burnaby, Fred
Turkey -- Description and travel
As I was descending the steps, my attention was called to a man who
was seated on the stair. He was sobbing like a child; at the same time
striking his chest with the palms of his hands.
"What is the matter?" I inquired.
On his looking up, I recognized the muleteer whom I had hired to bring
my baggage from Sileh Zela to Tokat. The man on seeing me sprang to his
feet, then throwing himself on the ground, he began to embrace my legs,
at the same time kissing my boots.
It appeared that several baggage animals were required for the
battalion which was about to march. The Zaptiehs of Tokat had pressed
the muleteer into their service, and had taken his mules.
"Do speak for me, Effendi!" he said. "They will take me to Kars. I
shall be a ruined man. And my wife expects me home—she is in a delicate
state of health; I shall shortly be a father."
"It is useless," said the Caimacan, who overheard his prayers. "We must
have baggage animals," he continued; "you will not be taken to Kars,
only to Samsoun; you will be paid for the hire of your animals. Dry
your eyes, and do not block up the steps."
"It is a great pity, and I am very sorry for these poor fellows,"
observed the Caimacan, turning to me; "but what can we do? It is war
time, or very soon will be so: some of us must suffer."
"Listen to those poor women there," he continued, as we rode through
the gate, preceded by the brass band of the regiment playing a
melancholy march. A deep wail could be heard even above the noise of
the instruments. The wives, mothers, and other female relatives of the
soldiers, had not been permitted to enter the barracks; but from an
early hour they had taken up a position along the streets. The bitter
cry, which was joined in by hundreds of voices, announced to the people
in the very outskirts of the town that the battalion was on the march.
Presently the band ceased playing; and the old major, his long white
beard streaming in the wind, began singing the words: "God is great.
There is but one God, the God, and there is but one Prophet, the
Prophet, and he is the Prophet of God."
The soldiers took up the strain, ten thousand bystanders joined in
the verse—it even silenced the women's wail—and resounded along the
banks of the river. Here taken up by some people on the ruined citadel,
the words were re-echoed back to us; there wafted by the breeze to an
adjacent hamlet, the peasantry swelled the chorus. The standard of the
battalion, with the crescent embroidered on a green border, was raised
high in the air, and several of the crowd, rushing up to the major,
implored him to take them in his ranks.
It was a striking scene—these weeping women in their shroud-like
dresses; the many-coloured garments of the men; the excited
soldiery—the still more excited major; and the immense religious
enthusiasm.
Public-domain text, read in full here on John Shaqi.
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