Chemical apparatus; Electroplating; Glass blowing and working; Glass coatings; Glass grinding and polishing; Lampwork; Mirrors
Black walnut
1100 3000 320 2100
Red fibre
2 4 3 60
Slate
184 280
Soapstone.
330 500
White marble
2000 8800
Sec. 115. As to working the materials very little need be said.
Fibre is worked like wood, but has the disadvantage of rapidly taking
the edge off the tools. In turning it, therefore, brass-turning
tools, though leaving not quite such a perfect finish as wood-turning
tools, last much longer, and really do well enough. Fibre will not
bear heating much above 100 deg.C--at all events in paraffin. At 140 deg.
C. it becomes perfectly brittle. Its chief merit lies in its great
strength. So far as insulation is concerned, Mr. Peirce's experiments
show that it is far below most kinds of wood.
Slate. This is a vastly more useful substance than it is generally
credited with being. It is very easily worked at a slow speed, either
on the shaping machine or on the lathe, with tools adjusted for
cutting brass, and it keeps its figure, which is more than can be said
for most materials. It forms a splendid base for instruments,
especially when ground with a little emery by iron or glass grinders,
fined with its own dust, and French polished in the ordinary way.
Spools for coils of considerable radial dimension may be most
conveniently made of slate instead of wood or brass, both because it
keeps its shape, and because it insulates sufficiently well to stop
eddy currents--at all events, sufficiently for ordinary practice. An
appreciable advantage is that slate may be purchased at a reasonable
rate in large slabs of any desired thickness. It is generally cut in
the laboratory by means of an old cross-cut saw, but it does not do
much damage to a hard hack saw such as is used for iron or brass.
Marble. According to Holtzapffell, marble may be easily turned by
means of simple pointed tools of good steel tempered to a straw
colour. The cutting point is ground on both edges like a wood-turning
tool, and held up to the work "at an angle of twenty or thirty
degrees" (?with the horizontal). The marble is cut wet to save the
tool. As soon as the point gets, by grinding, to be about one-eighth
of an inch broad it must either be drawn down or reground; a flat
tool will not turn marble at all.
Public-domain text, read in full here on John Shaqi.
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