On poetic interpretation of natureShairp, John Campbell
Philosophy
On poetic interpretation of nature
Shairp, John Campbell
Nature in literature; Poetry -- History and criticism
In Wordsworth’s mental history two periods are especially prominent. The
first was his school-time at Hawkshead, by Esthwaite Lake, eight years
in all. The second was the mental crisis through which he passed after
his return from France till he settled with his sister in the south
of England, and ultimately at Grasmere. The first was the spring-time
of his soul—a fair spring-time, in which all the young impulses and
intuitions were first awakened, when the colors were laid in and deeply
engrained into every fibre of his being. The second was the trial time,
the crisis of his spirit, in which all his early impulses, impressions,
intuitions, were brought out into distinct consciousness, questioned
and tested—vindicated by reason, and embraced by will as his guiding
principles for life—in which, as one may say, all that had hitherto
existed inwardly in fluid vapor was gathered up, condensed, solidified
into deliberate substance and permanent purpose.
A healthful, happy, blissful school-time was that which Wordsworth spent
by Esthwaite Lake—natural, blameless, pure, as ever boy spent. School
rules were few, discipline was light, school hours were short, and, these
over, the boys were free to roam where they willed, far or near, high and
low, early and late, sometimes far into the frosty starlight. Then it was
that Nature first
“Peopled his mind with forms sublime and fair,”
came to him like instincts unawares, as he went about his usual sports
with his companions. Rowing on the lake, snaring woodcocks among the hill
copses by night, skating by starlight on the frozen lake, climbing crags
to harry the raven’s nest, scudding on horseback over Furness Sands:—
“From week to week, from month to month, we lived
A round of tumult.”
In all this there was not anything lackadaisical, nor any maundering
about Nature, but only the life you might expect in a hardy mountain-bred
boy, with robust body and strong animal spirits. These things he shared
with other boys. There was nothing special in them. But what was
peculiar, eminently his own, was this—the feelings that sometimes came
to him in the very midst of the wild hill sports—in the pauses of the
boisterous games. There were times when, detached from his companions,
alone in lonely places, he felt from within
“Gleams like the flashing of a shield, the earth
And common face of Nature spake to him
Rememberable things.”
During his later school years he tells us that he would walk alone under
the quiet stars, and
“Feel whate’er there is of power in sound
To breathe an elevated mood, by form
Or image unprofaned, and I would stand,
In the night blackened with a coming storm,
Beneath some rock, listening to notes that are
The ghostly language of the ancient earth,
Or make their dim abode in distant winds,
Thence did I drink the visionary power.”
He speaks, too, of a morning when he had stolen forth before even the
birds were astir,
Public-domain text, read in full here on John Shaqi.
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