On poetic interpretation of natureShairp, John Campbell
Philosophy
On poetic interpretation of nature
Shairp, John Campbell
Nature in literature; Poetry -- History and criticism
3. Connected with this is the absence of all tendency to theorize or
frame hypotheses about Nature’s ongoings. This of course comes from
the pervading habit of referring all effects directly to the Divine
will; and yet there is no want of philosophic wonder, for, as Humboldt
remarks, the Book of Job proposes many questions about natural things
“which modern science enables us to propound more formally, and to clothe
in more scientific language, but not to solve satisfactorily.” Lastly,
there is a deep-hearted pathos, “a yearning pensiveness,” as it has been
called, in the Hebrew poetry, over man’s mortal condition, as when in
images straight from Nature it describes his life here as “a wind that
passeth away and cometh not again,” or “as a flower of the field so he
flourisheth, for the wind passeth over it and it is gone, and the place
thereof shall know it no more.” Simple images, yet how true for all
generations!
HOMER.
When we turn from the Hebrew to the Greek poetry, as represented by
the father of it, Homer, we find ourselves in another atmosphere. It
is not merely that in the regard which the great poet casts on Nature,
mythology, a fading and only half-alive mythology, still lingered. It
is not this only, but it is that in his thoughts of Nature there is not
the same awful reverence, the same profound pathos; but there is more of
the artistic sense of beauty, that artistic sense which is only fully
developed when the profounder feelings are comparatively laid asleep.
No land known to the ancients, perhaps I might say no land ever known
to men, has supplied such visual stimulus to the imagination as
Greece;—scenery so richly diversified, a land beyond all others various
in features and elements, mountains with their bases plunged into the
sea, valleys intersected by great rivers, rich plains and meadows inlaid
between the hill-ranges, deeply indented shores, promontories wood-clad
or temple-crowned looking out on the many-islanded, Ægean;—around it, on
every side, seas so beautiful, above it such a canopy of sky, changing
through every hour and every season, and calling forth from sea and land
every color which sunlight and gloom can elicit.
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