On poetic interpretation of natureShairp, John Campbell
Philosophy
On poetic interpretation of nature
Shairp, John Campbell
Nature in literature; Poetry -- History and criticism
“Down he fell,
As by the woodman’s axe, on some high peak
Falls a proud ash, conspicuous from afar,
Leveling its tender leaves upon the ground.”
It is thus the charge of Hector is described when he beat back the Greeks
and penned them at their ships:—
“On poured the Trojan masses; in the van
Hector straight forward drove in full career.
As some huge bowlder, from its rocky bed
Detached, and by the wintry torrent’s force
Hurled down the steep cliff’s face, when constant rains
The massive rock’s firm hold have undermined;
With giant bounds it flies; the crashing wood
Resounds beneath it; still it hurries on,
Until, arriving at the level plain,
Its headlong impulse checked, it rolls no more.”
Or take another similitude drawn from the sea. When the poet wishes to
describe how the Achæan phalanxes come on to battle, this is the image he
employs:—
“And as a goatherd from his watch-tower crag
Beholds a cloud advancing o’er the sea
Beneath the west wind’s breath; as from afar
He gazes, black as pitch, it sweeps along
O’er the dark face of ocean, bearing on
A hurricane of rain; he, shuddering, sees
And drives his flock beneath the sheltering cave.
So thick and dark about the Argives stirred,
Impatient for the war, the stalwart youths,
Black masses, bristling close with spear and shield.”
Or again, when, after Agamemnon has retired wounded from the battle,
Hector comes forth and slips his Trojans on the Achæan host, as some
hunter slips his white-teethed hounds on a wild boar or a lion, and
himself
“Fell on their battle, as some roaring storm
Leaps down and heaves the sleeping violet sea.”
One after another he lays low the chiefs, and their names fill three
hexameters.
“Of the leaders these
He slew, then on the nameless people fell
As when with hurricane deep the west wind smites
White summer clouds high piled by the clear south,
And volumed wave on wave comes shoreward rolled,
And the white flying foam is scattered high
Before the loud blast of far-wandering wind.”
Let me now give one instance of Homer’s feeling for the aspect of the
nightly heavens. It shall be taken from the place of the Iliad where the
Trojans, after a day of successful battle, having driven back the Greeks,
rest for the night. And here I shall quote, not, as in the above passage,
from Lord Derby’s translation, but from a rendering of the passage by
the Poet-Laureate. It is the only passage of Homer in which we have the
Laureate’s handiwork:—
Public-domain text, read in full here on John Shaqi.
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