On Secret Service: Detective-Mystery Stories Based on Real Cases Solved by Government AgentsTaft, William Nelson
General
On Secret Service: Detective-Mystery Stories Based on Real Cases Solved by Government Agents
Taft, William Nelson
Detective and mystery stories, American; Secret service -- United States -- Fiction; Short stories, American
"Having demonstrated my ability by three hours of stiff work on the
files, I suggested a few days later that I had a first-hand knowledge of
cost accounting and that I would be glad to help get his books in shape
for the holiday business, the old man who usually attends to this being
sick. Again Thurene assented and again he blew in, 'to explain any
entries which might prove troublesome.' I'll say this for him,
though--there isn't a single incriminating entry on the books. Every
purchase is accounted for, down to the last paper of pins.
"Then, when I felt that I had wormed myself sufficiently well into his
good graces, I hinted that I might be able to help out by supervising
the system in the engraving department--checking up the purchases,
watching the disbursements, keeping an eye on the stock and so on.
Rather to my surprise, he didn't offer any objection. Said that my work
had been of so much help elsewhere that he would be glad to have me
watch the engravers' work.
"It was there that I got my first real lead--at least I hope it's a
lead. Back of the engraving department is a small room, locked and
padlocked, where the boss is supposed to ride his personal hobby of
amateur photography. I asked one of the men the reason for guarding a
dark room so carefully, and he replied that Thurene claimed to be on the
verge of making a great discovery in color photography, but that the
process took a long time and he didn't want to run the risk of having it
disturbed. I'm to have a look at his color process to-night."
"What?" cried Graham. "He's going to show you what is in the
double-locked room?"
"That's what he's promised to do. I haven't the least hope of seeing
anything incriminating--all the evidence will probably be well
hidden--but this morning I expressed a casual interest in photography
and remarked that I understood he was working on a new color process. I
did it mainly to see how he would react. But he never batted an eyelid.
'I've been making some interesting experiments recently,' he said, 'and
they ought to reach a climax to-night. If you'd care to see how they
turn out, suppose you meet me here at nine o'clock and we'll examine
them together.'"
"But Rita," Graham protested, "you don't mean to say that you're going
to put yourself entirely in this man's power?"
The girl's first answer was a laugh, and then, "What do you mean, 'put
myself in his power'?" she mocked. "You talk like the hero of a
melodrama. This isn't the first time that I've been alone in the store
with him after dark. Besides, he doesn't suspect a thing and it's too
good a chance to miss. Meet me here the first thing in the
morning--around eight-thirty--and I'll give you the details of Thurene's
secret chamber, provided it contains anything interesting."
"Rita, I can't--" Graham started to argue, but the girl cut in with,
"You can't stop me? No, you can't. What's more, I'll have to hurry. It's
ten minutes to nine now. See you in the morning."
Public-domain text, read in full here on John Shaqi.
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