There is another place more dear to me, but which I doubt whether any other but a native of that place can know. After passing through the plough lands of an empty plateau, a traveller breaks through a little fringe of chestnut hedge and perceives at once before him the wealthiest and the most historical of European things, the chief of the great capitals of Christendom and the arena in which is now debated (and has been for how long!) the Faith, the chief problem of this world. Apart from landscape other things belong to this contemplation: Notes of music, and, stronger even than repeated and simple notes of music, a subtle scent and its association, a familiar printed page. Perhaps the test of these sacramental things is their power to revive the past. There is a story translated into the noblest of English writing by Dasent. It is to be found in his "Tales from the Norse." It is called the Story of the Master Maid. A man had found in his youth a woman on the Norwegian hills: this woman was faëry, and there was a spell upon her. But he won her out of it in various ways, and they crossed the sea together, and he would bring her to his father's house, but his father was a King. As they went over-sea together alone, he said and swore to her that he would never forget how they had met and loved each other without warning, but by an act of God, upon the Dovrefjeld. Come near his father's house, the ordinary influences of the ordinary day touched him; he bade her enter a hut and wait a moment until he had warned his father of so strange a marriage; she, however, gazing into his eyes, and knowing how the divine may be transformed into the earthly, quite as surely as the earthly into the divine, makes him promise that he will not eat human food. He sits at his father's table, still steeped in her and in the seas. He forgets his vow and eats human food, and at once he forgets. Then follows much for which I have not space, but the woman in the hut by her magic causes herself to be at last sent for to the father's palace. The young man sees her, and is only slightly troubled as by a memory which he cannot grasp. They talk together as strangers; but looking out of the window by accident the King's son sees a bird and its mate; he points them out to the woman, and she says suddenly: "So was it with you and me high up upon the Dovrefjeld." Then he remembers all. Now that story is a symbol, and tells the truth. We see some one thing in this world, and suddenly it becomes particular and sacramental; a woman and a child, a man at evening, a troop of soldiers; we hear notes of music, we smell the smell that went with a passed time, or we discover after the long night a shaft of light upon the tops of the hills at morning: there is a resurrection, and we are refreshed and renewed. But why all these things are so neither I nor any other man can tell. IN PATRIA