Books and reading -- Great Britain; English literature -- History and criticism
For witness to this and to the way of it I am going to call an
old writer for whom, be it whim or not, I have an almost 18th
century reverence--Longinus. No one exactly knows who he was;
although it is usual to identify him with that Longinus who
philosophised in the court of the Queen Zenobia and was by her,
in her downfall, handed over with her other counsellors to be
executed by Aurelian: though again, as is usual, certain bold bad
men affirm that, whether he was this Longinus or not, the
treatise of which I speak was not written by any Longinus at all
but by someone with a different name, with which they are
unacquainted. Be this as it may, somebody wrote the treatise and
its first editor, Francis Robertello of Basle, in 1554 called him
Dionysius Longinus; and so shall I, and have done with it,
careless that other MSS than that used by Robertello speak of
Dionysius or Longinus. Dionysius Longinus, then, in the 3rd
century A.D.--some say in the 1st: it is no great matter--wrote a
little book [Greek: PERI UPSOUS] commonly cited as "Longinus on
the Sublime." The title is handy, but quite misleading, unless
you remember that by 'Sublimity' Longinus meant, as he expressly
defines it, 'a certain distinction and excellence in speech.' The
book, thus recovered, had great authority with critics of the
17th and 18th centuries. For the last hundred years it has quite
undeservedly gone out of vogue.
It is (I admit) a puzzling book, though quite clear in argument
and language: pellucidly clear, but here and there strangely
modern, even hauntingly modern, if the phrase may be allowed. You
find yourself rubbing your eyes over a passage more like Matthew
Arnold than something of the 3rd century: or you come without
warning on a few lines of 'comparative criticism,' as we call it
--an illustration from Genesis--'God said, Let there be Light,
and there was Light' used for a specimen of the exalted way of
saying things. Generally, you have a sense that this author's
lineage is mysterious after the fashion of Melchisedek's.
Well, to our point--Longinus finds that the conditions of lofty
utterance are five: of which the first is by far the most
important. And this foremost condition is innate: you either have
it or you have not. Here it is:
'Elsewhere,' says Longinus, 'I have written as follows:
_"Sublimity is the echo of a great soul."_ Hence even a bare
idea sometimes, by itself and without a spoken word will
excite admiration, just because of the greatness of soul
implied. Thus the silence of Ajax in the underworld is great
and more sublime than words.'
You remember the passage, how Odysseus meets that great spirit
among the shades and would placate it, would 'make up' their
quarrel on earth now, with carneying words:
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account