Books and reading -- Great Britain; English literature -- History and criticism
There is in fact, Gentlemen, no such thing as 'mere literature.'
Pedants have coined that contemptuous term to express a
figmentary concept of their own imagination or--to be more
accurate, an hallucination of wrath--having about as much
likeness to a _vera causa_ as had the doll which (if you
remember) Maggie Tulliver used to beat in the garret whenever,
poor child, the world went wrong with her somehow. The thoughts,
actions and passions of men became literature by the simple but
difficult process of being recorded in memorable speech; but in
that process neither the real thing recorded nor the author is
evacuated. _Belles lettres, Fine Art_ are odious terms, for which
no clean-thinking man has any use. There is no such thing in the
world as _belles lettres_; if there were, it would deserve the
name. As for _Fine Art,_ the late Professor Butcher bequeathed to
us a translation of Aristotle's "Poetics" with some admirable
appendixes--the whole entitled "Aristotle's Theory of Poetry and
Fine Art." Aristotle never in his life had a theory of Fine Art
as distinct from other art: nor (I wager) can you find in his
discovered works a word for any such thing. Now if Aristotle had
a concept of `fine' art as distinguished from other art, he was
man enough to find a name for it. His omission to do anything of
the sort speaks for itself.
So you should beware of any teacher who would treat the Bible or
any part of it as 'fine writing,' mere literature.
IV
Let me, having said this, at once enter a _caveat,_ a
qualification. Although men do not go to the stake for the
cadences, the phrases of our Authorised Version, it remains true
that these cadences, these phrases, have for three hundred years
exercised a most powerful effect upon their emotions. They do so
by association of ideas by the accreted memories of our race
enwrapping connotation around a word, a name--say the name
_Jerusalem,_ or the name _Sion_:
And they that wasted us required of us mirth, saying,
Sing us one of the songs of Sion.
How shall we sing the Lord's song in a strange land?
If I forget thee, O Jerusalem, let my right hand forget
her cunning.
It must be known to you, Gentlemen, that these words can affect
men to tears who never connect them in thought with the actual
geographical Jerusalem; who connect it in thought merely with a
quite different native home from which they are exiles. Here and
there some one man may feel a similar emotion over Landor's
Tanagra, think not I forget....
Public-domain text, read in full here on John Shaqi.
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