On the BorderlandAustin, F. Britten (Frederick Britten)
Science
On the Borderland
Austin, F. Britten (Frederick Britten)
English fiction -- 20th century; Paranormal fiction; Short stories, English
The girl in the vision--so strikingly like the girl in the chair that
she seemed a duplication of her personality--drew herself erect on the
edge of the crowd and wiped her eyes. Evidently, with a great effort,
she was mastering herself. The girl in the chair drew a hard breath,
as though of some supreme determination. Then, taking a few steps, the
figure that they watched moved close under the houses of the nearer
side of the square and, looking up at the doorways as though seeking an
inscription, commenced to walk along the pavement.
The crystal held her still as its centre--like the lens of a
cinematograph following always the chief personage upon the
screen--and, watching her, the man and woman in the chair forgot the
globe that they held with cataleptic rigidity, forgot the diminished
scale of the vision. Their perceptions adjusted themselves like those
of children who day-dream among their toys, and it seemed to both of
them that they gazed into a real scene with full-sized human emotions
at clash in the acute earnestness of present life.
The girl, her face white and tense, her eyes fixed in the courage
of timidity brought to despair, moved along the houses. Suddenly
she stopped, looking upward to a portal surmounted by a trophy
of tri-coloured flags and a shield on which the three words
“_Liberté--Egalité--Fraternité_” were crudely emblazoned. A couple of
ruffianly men in quasi-military uniform, exaggeratedly large cocked
hats coming down over their ears, short pipes in the mouths hidden by
untrimmed, pendent moustaches, enormously long muskets with bayonets
fixed leaning against the bandoliers across their chests, guarded the
doorway. The girl spoke to them, with vehement gestures, evidently
imploring entrance. They barred her path, callously untouched by her
agonized entreaty. She pointed up to an inscription below the trophy
“_RÉPUBLIQUE FRANÇAISE--Réprésentant en Mission_,” smiled at them in
a heart-breaking assumption of coquetry, candid innocence never more
purely virginal. One of them shrugged his shoulders and spat upon the
cobbled pavement without removing his pipe. The other winked broadly,
and, still retaining his musket, reached out with his disengaged hand.
The girl shrank back, horror in her eyes--and then, as if bethinking
herself of an unfailing resource, felt feverishly in the neckerchief
which covered her bosom. She drew out a packet of notes, offered them.
With a broad grin on their faces, the two ruffians parted to allow her
passage.
She climbed an uncarpeted, dreary staircase and hesitated for a
moment outside a door inscribed “_le citoyen réprésentant du peuple
Desnouettes_.” She knocked timidly, opened, and entered.
Public-domain text, read in full here on John Shaqi.
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