On the BorderlandAustin, F. Britten (Frederick Britten)
Science
On the Borderland
Austin, F. Britten (Frederick Britten)
English fiction -- 20th century; Paranormal fiction; Short stories, English
He stood with his back to the room, looking out upon the square filled
with a surging mob. In the middle, upon a raised scaffold, stood the
terrible red-painted uprights with the gleaming knife under the linking
beam, poised ready for the swift fall of its diagonal edge. The mob
swirled in a sudden turbulence under the windows. He knew what it meant.
There, forcing its slow passage through the maddened crowd, came the
fatal cart--a rough vehicle filled with hatless men and women whose
necks were bare and whose hands were bound, men and women who seemed
deaf to the vociferations of the bloodthirsty mob that raved about
them. He shuddered--slipped his right hand into his pocket, held it
there, his gaze fastened in horrible fascination upon that slowly
moving cartload of already almost lifeless human beings. He saw,
clearly, only one figure, a girl in white, and he waited--in an agony
which held him rigid.
The cart lurched its slow way to the scaffold, stopped. The victims
began to descend. He saw the figure in white mount the steps to
the machine, saw it turn its head at the last moment toward his
window--and, as though it were the signal expected, he whipped the
pistol from his pocket, glimpsed the dark hole of its barrel, and fired.
The man and woman in the chair stared into a crystal ball whose depths
were suffused with a milky cloud.
“Oh, Jim!” she murmured. “_The last time----!_”
“Shh!” he said, with a squeeze of her hand. “Look! It’s coming again!”
Once more the cloud parted--they peered, breath held for further
revelations, into a crude contrast of bright light and intense shadow,
upon a striped awning at an angle from a wall glaring in the sun, upon
a narrow street where dust rose yellow like an illumined cloud above a
dark throng of Asiatics, their white robes almost blue in the shadow,
who gesticulated and pushed each other as they packed themselves into a
semicircle of eager faces. Their vision adjusting itself to the violent
juxtaposition of high light and deep shadow, they stared into the
comparative sombreness under the awning, to the object which held the
interest of the crowd.
Public-domain text, read in full here on John Shaqi.
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