On the BorderlandAustin, F. Britten (Frederick Britten)
Science
On the Borderland
Austin, F. Britten (Frederick Britten)
English fiction -- 20th century; Paranormal fiction; Short stories, English
“_t-h-r-e-e h-u-n-d-r-e-d a-n-d e-i-g-h-t g-l-o-u-c-e-s-t-e-r c-i-t-y
h-u-n-d-r-e-d a-n-d f-i-v-e r-e-s-c-u-e-d o-t-h-e-r s-h-i-p-s f-o-u-r
h-u-n-d-r-e-d a-n-d t-h-i-r-t-e-e-n i-n a-l-l_”
“All men?” queried Jensen.
“_t-w-e-n-t-y-f-i-v-e w-o-m-e-n_”
“My God!” muttered Lyngstrand, in a sudden vivid remembrance that
stabbed him like a pain. He glanced at Horst.
Jensen glanced also, and was merciless.
“Are you all here?” he asked.
“_y-e-s_” There was a little pause, “_h-u-n-d-r-e-d-s m-o-r-e I d-o-n-t
k-n-o-w d-r-o-w-n-e-d o-t-h-e-r s-u-n-k s-h-i-p-s a-l-l h-e-r-e_”
Lyngstrand shivered, looked around him uneasily. Jensen’s voice
scarcely betrayed a tremor as he pursued.
“What have you come for?”
“_w-e h-a-v-e c-o-m-e f-o-r h-i-m_”
“No!--no!” screamed Horst, suddenly. “No!--_Ach, Gott, schütze mich!_”
Both Lyngstrand and Jensen had a sense of inaudible mocking laughter in
the air about them. There was an awful silence.
The raps recommenced spontaneously.
“_t-e-l-l h-i-m t-h-e-y a-r-e f-i-l-i-n-g p-a-s-t h-i-m
i-d-e-n-t-i-f-y-i-n-g h-i-m_”
Jensen turned to Horst.
“You hear?” he asked, grimly.
But Horst, with a blood-curdling scream of terror, had flung himself
at the charthouse door, thrown it open. They heard the hiss and sough
of the dark seas. He plunged out, blindly, head-foremost. Then, just
beyond the threshold, he stopped, recoiled, staggered back into the
charthouse.
“No!” he gasped, hoarsely. “No!--_I can’t face them! I can’t face
them!_--I can’t die!--I dare not!”
He shook in a palsy of the faculties. His eyes agonizedly sought their
unsympathetic faces. The German submarine commander is a pariah among
seafaring men, whatever their nationality. He realized it, hopelessly,
as he met their hard eyes. With a sob of self-pity, he stumbled across
to a corner of the charthouse, sank down upon the seat, covered his
face with his hands.
Lyngstrand’s young features were sternly set as he glanced at him. Then
he took a long breath, the preparatory oxygen-renewal of the man who
dares an experiment that will tax him. He rapped the wireless “call-up”
upon the table.
“Can the others communicate also?” he asked, loudly, in English. He,
also, was trembling.
The answer came at once.
“_o-n-l-y t-h-r-o-u-g-h m-e_” There was a slight pause, then the raps
recommenced again, “_l-a-d-y h-e-r-e h-a-s a m-e-s-s-a-g-e f-o-r
p-e-t-e-r_” the raps hesitated “_p-e-t-e-r f-u-n-n-y n-a-m-e c-a-n-t
c-a-t-c-h i-t_----”
Lyngstrand’s face went deathly white.
“Yes,” he gasped, just only able to speak, “--Peter--yes--go on!”
He looked at the table as though expecting to see the hand that was
rapping out the message. Tap-tap-tap, it came.
“_p-e-t-e-r l-i-n-g-s-t-r-a-n-d_”
“Yes--here!” he gasped. “Go on!--who is it?”
“_m-a-r-y t-i-l-l-o-t-s-o-n_”
He reeled against the table, clutched at it.
Public-domain text, read in full here on John Shaqi.
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