On the BorderlandAustin, F. Britten (Frederick Britten)
Science
On the Borderland
Austin, F. Britten (Frederick Britten)
English fiction -- 20th century; Paranormal fiction; Short stories, English
“Again the scene changed. I was staring at the exterior of the temple
in the moonlight. The two great figures by the portal gazed now over an
empty courtyard. Only the moon-cast shadows of the trees moved upon its
untenanted space. There was a moment of waiting--for I knew not what,
but the air was filled with expectation. Then, slinking along the wall,
scarcely visible, with halting, furtive step, I saw the girl emerge
from the shadows. Warily she came, close against the wall, stopping
occasionally in the awful terror of the silence which brooded over
everything, moving on again with evidently a fresh effort of highly
strung will. Like a ghost she seemed in the moonlight, as she crept up
to the giant figure by the portal, peered cautiously into the interior
darkness where two yellow flames glimmered. She slipped into the gloom
like a pale shadow that flits across the wall.
“And then, I know not how, I found myself looking as from the doorway
into the interior. Between two guttering torches the great image lifted
itself up into a smoky obscurity, the glinting jewel still upon its
breast--the jewel that was suspended by a flexible snake of reddish
gold. With an impressive serenity the great calm face looked straight
before it, its hands stretched out from the elbow above the legs
crossed for its squatting, ‘earth-touching’ position. Below it, on the
steps of the altar, a priest squatted also, his shaven head nodding
forward in the sleep of a vigil excessively prolonged. By the portal
stood the shrinking figure of the girl, staring in terror at the jewel
winking in the uncertain light of the expiring torches.
“For a long, long moment she stood there, unable to move, her face
looking as carven in its fixed immobility as the image itself. With
a sympathetic thrill, I realized the awful superstitious dread which
had her in its grip. Then her human love triumphed. I saw her glide
stealthily toward the giant figure, so stealthily that the nodding head
of the somnolent priest altered not in the regularity of its drowsy
rise and fall, so stealthily that she seemed but a part of the shifting
shadows cast by the candelabra of the torches. Nimbly and cautiously
she clambered from the altar-steps to the knee of the mighty image,
drew herself up to the arm outstretched in benediction. She balanced
herself precariously, rose suddenly upright upon it, and snatched at
the jewel.
“The clasp of the flexible gold snake broke with the violence of her
pull. I saw it slide like a little stream of ruddy fire into her hands,
saw the last flash of the jewel as she stuffed it into her bosom. And
then, with a start, the priest looked up.
“Ere he could do more than spring to his feet, she had leaped down with
the sure-footed agility of a mountain girl. In a quick movement she
evaded his clutch, was gone.
Public-domain text, read in full here on John Shaqi.
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