On the Brink of a Chasm: A record of plot and passionMeade, L. T.
General
On the Brink of a Chasm: A record of plot and passion
Meade, L. T.
Conspiracies -- Fiction; Husband and wife -- Fiction; Inheritance and succession -- Fiction; Mesmerism -- Fiction; Revenge -- Fiction
Piers moved softly aside in the direction of the old yew tree. He did
not want any of these strangers to notice him.
At the other side of the yew tree stood Gaffer Crayshaw. Gaffer Crayshaw
knew he ought not to be there. If he were discovered he would be ordered
to go quickly about his business, but he trusted no one would see him.
With his old body pressed against the yew tree, he was peering out
through the branches, his eyes fixed upon the scene which was taking
place around the vault. He did not notice Piers, but Piers recognized
him at a glance.
“Old Crayshaw,” thought the child. “He used to give me barley sugar.
He’ll tell me what it all means.”
The little fellow stepped cautiously around, making no noise as he did
so. He stood at last just behind Gaffer. Presently Piers’s small hand
was laid on the old man’s arm.
“What are they doing over there?” asked the child. “What are they doing
in the vault? Are they burying anybody?”
“’Tain’t that. Hush! Don’t speak!” said the old man. He half glanced
round and saw a little figure in the ordinary blouse of a village boy
standing beside him.
“Get away, you little beggar,” he continued. “Get out of this. Hush! Get
you gone.”
“But what are they doing?” pleaded Piers. His voice became a little more
shrill.
In despair Crayshaw thought it best to answer him.
“They ain’t a-burying nobody, but they’re a-taking somebody out of his
coffin. Yes, there they come and the coffin with them. That’s the coffin
that holds little Sir Piers Pelham—bless him! Poor little chap! They’re
taking it out, and they’re going to open it.”
“But I’m not there!” cried Piers.
His voice rang out very high and clear. It startled old Crayshaw, who
turned round and looked at him for the first time attentively. The old
man’s face turned white, he clapped his two hands to his ears, uttered a
loud and terrified shriek, and fled from the spot as if he were pursued
by a thousand demons.
Piers did not take any notice of him. One of the doctors who was bending
over the coffin glanced up with an annoyed expression of face.
“Go away, little boy,” he said; and then he gave directions to one of
the men beside him. The man stepped forward.
“But I’m not going away!” said little Piers. “This is my own churchyard
and my own chapel. What are you doing here? You are to go away—I’m not
going.”
The man was about to reply angrily, and to push the little intruder from
the scene, when suddenly there was a fresh commotion. Some steps were
heard approaching—eager steps, the steps of women. Piers burst from the
restraining hand of the man. He had the boy in his grip, but the child
wriggled away as if he were a little eel.
“Barbara!” cried Piers. “Barbara!” He rushed down the path. A lady with
starry brown eyes was coming up, a lady with a white face, and a world
of indescribable sorrow in her eyes. She was accompanied by some one
else, but at her Piers had no time to glance. He flung his arms round
Barbara’s neck.
Public-domain text, read in full here on John Shaqi.
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