Metal springs fastened at one end, when forcibly bent, endeavour to return to rest by a series of vibrations, which give very pleasing tones, as in musical boxes. Various musical instruments have been constructed, consisting of metallic springs thrown into vibration by a current of air. Among the most perfect of these are Mr. Wheatstone’s Symphonion, Concertina, and Æolian Organ, instruments of different effects and capabilities, but all possessing considerable execution and expression. The Syren is an ingenious instrument, devised by M. Cagniard de la Tour, for ascertaining the number of pulsations in a second, corresponding to each pitch: the notes are produced by jets of air passing through small apertures, arranged at regular distances in a circle on the side of a box, before which a disc revolves pierced with the same number of holes. During a revolution of the disc the currents are alternately intercepted and allowed to pass as many times as there are apertures in it, and a sound is produced whose pitch depends on the velocity of rotation. A glass or metallic rod, when struck at one end, or rubbed in the direction of its length with a wet finger, vibrates longitudinally, like a column of air, by the alternate condensation and expansion of its constituent particles, producing a clear and beautiful musical note of a high pitch, on account of the rapidity with which these substances transmit sound. Rods, surfaces, and, in general, all undulating bodies, resolve themselves into nodes. But in surfaces the parts which remain at rest during their vibrations are lines which are curved or plane according to the substance, its form, and the mode of vibration. If a little fine dry sand be strewed over the surface of a plate of glass or metal, and if undulations be excited by drawing the bow of a violin across its edge, it will emit a musical sound, and the sand will immediately arrange itself in the nodal lines, where alone it will accumulate and remain at rest, because the segments of the surface on each side will be in different states of vibration, the one being elevated while the other is depressed; and, as these two motions meet in the nodal lines, they neutralise one another. These lines vary in form and position with the part where the bow is drawn across, and the point by which the plate is held. The motion of the sand shows in what direction the vibrations take place. If they be perpendicular to the surface, the sand will be violently tossed up and down till it finds the points of rest. If they be tangential, the sand will only creep along the surface to the nodal lines. Sometimes the undulations are oblique, or compounded of both the preceding. If a bow be drawn across one of the angles of a square plate of glass or metal held firmly by the centre, the sand will arrange itself in two straight lines parallel to the sides of the plate, and crossing in the centre so as to divide it into four