heard at a distance through the air, the effect is as a landscape seen in miniature beauty through a concave lens, compared with the same scene viewed by ordinary vision through a murky atmosphere.” Every one is aware of the reinforcement of sound by the resonance of cavities. When singing or speaking near the aperture of a wide-mouthed vessel, the intensity of some one note in unison with the air in the cavity is often augmented to a great degree. Any vessel will resound if a body vibrating the natural note of the cavity be placed opposite to its orifice, and be large enough to cover it, or at least to set a large portion of the adjacent air in motion. For the sound will be alternately reflected by the bottom of the cavity and the undulating body at its mouth. The first impulse of the undulating substance will be reflected by the bottom of the cavity, and then by the undulating body, in time to combine with the second new impulse. This reinforced sound will also be twice reflected in time to conspire with the third new impulse; and, as the same process will be repeated on every new impulse, each will combine with all its echoes to reinforce the sound prodigiously. Professor Wheatstone, to whose ingenuity we are indebted for so much new and valuable information on the theory of sound, has given some very striking instances of resonance. If one of the branches of a vibrating tuning-fork be brought near the embouchure of a flute, the lateral apertures of which are stopped so as to render it capable of producing the same sound as the fork, the feeble and scarcely audible sound of the fork will be augmented by the rich resonance of the column of air within the flute, and the tone will be full and clear. The sound will be found greatly to decrease by closing or opening another aperture; for the alteration in the length of the column of air renders it no longer fit perfectly to reciprocate the sound of the fork. This experiment may be made on a concert flute with a C tuning-fork. But Professor Wheatstone observes, that in this case it is generally necessary to finger the flute for B, because, when blown into with the mouth, the under-lip partly covers the embouchure, which renders the sound about a semitone flatter than it would be were the embouchure entirely uncovered. He has also shown, by the following experiment, that any one among several simultaneous sounds may be rendered separately audible. If two bottles be selected, and tuned by filling them with such a quantity of water as will render them unisonant with two tuning-forks which differ in pitch, on bringing both of the vibrating tuning-forks to the mouth of each bottle alternately, in each case that sound only will be heard which is reciprocated by the unisonant bottle.