At first the usual processes for portrait photography were applied to
taking the Moon. But it was soon found necessary to abandon these and
adopt others. When a collodion negative has to be enlarged--and this
is always the case in lunar photography, where the original picture
is taken at the focus of an object glass or mirror--imperfections
invisible to the naked eye assume an importance which causes the
rejection of many otherwise excellent pictures. Some of these
imperfections are pinholes, coarseness of granulation in the reduced
silver, liability to stains and markings, spots produced by dust.
These were all avoided by washing off the free nitrate of silver
from the sensitive plate, before exposing it to the light, and again
submitting it to the action of water, and dipping it back into the
nitrate of silver bath before developing. The quantity of nitrate
of silver necessary to development when pyrogallic acid is used, is
however better procured by mixing a small quantity of a standard
solution of that salt with the acid.
The operation of taking a lunar negative is as follows. The glass
plates 2-3/4 × 3-1/4 inches are kept in nitric acid and water until
wanted. They are then washed under a tap, being well rubbed with
the fingers, which have of course been properly cleaned. They are
wiped with a towel kept for the purpose. Next a few drops of iodized
collodion are poured on each side, and spread with a piece of cotton
flannel. They are then polished with a large piece of this flannel,
and deposited in a close dry plate box. This system of cleaning with
collodion was suggested by Major Russel, to whose skilful experiments
photography is indebted for the tannin process. It certainly is most
effective, the drying pyroxyline removing every injurious impurity.
There is never any trouble from dirty plates.
The stock of plates for the night’s work, a dozen or so, being thus
prepared, one of them is taken, and by movement through the air is
freed from fibres of cotton. It is then coated with filtered collodion
being held near the damp sink. The coated plate, when sufficiently
dry, is immersed in a 40 grain nitrate of silver bath, acidified with
nitric acid until it reddens litmus paper. The exact amount of acid in
the bath makes in this “Washed Plate Process” but little difference.
When the iodide and bromide of silver are thoroughly formed the plate
is removed, drained for a moment, and then held under the tap till all
greasiness, as it is called, disappears. Both front and back receive
the current in turn.
It is then exposed, being carried on a little wooden stand, Fig. 43,
covered with filtering paper to the telescope, and deposited on the
sliding plateholder which has been set to the direction and rate of
the moon, while the plate was in the bath. The time of exposure is
ascertained by counting the beats of a half-second pendulum.
Public-domain text, read in full here on John Shaqi.
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