Another and more plausible explanation is founded on the elastic nature of the compound of glue and treacle, a substance already in use in transferring engravings to earthenware. It is conjectured, that an impression from the copperplate is taken upon a large sheet of this composition; that this sheet is then stretched in both directions, and that the ink thus expanded is transferred to paper. If the copy is required to be smaller than the original, the elastic substance must first be stretched, and then receive the impression from the copperplate: on removing the tension it will contract, and thus reduce the size of the design. It is possible that one transfer may not in all cases suffice; as the extensibility of the composition of glue and treacle, although considerable, is still limited. Perhaps sheets of India rubber of uniform texture and thickness, may be found to answer better than this composition; or possibly the ink might be transferred from the copper plate to the surface of a bottle of this gum, which bottle might, after being expanded by forcing air into it, give up the enlarged impression to paper. As it would require considerable time to produce impressions in this manner, and there might arise some difficulty in making them all of precisely the same size, the process might be rendered more certain and expeditious by performing that part of the operation which depends on the enlargement or diminution of the design only once; and, instead of printing from the soft substance. transferring the design from it to stone: thus a considerable portion of the work would be reduced to an art already well known, that of lithography. This idea receives some confirmation from the fact, that in another set of specimens, consisting of a map of St Petersburgh, of several sizes, a very short line, evidently an accidental defect, occurs in all the impressions of one particular size, but not in any of a different size. 155. Machine to produce engraving from medals. An instrument was contrived, a long time ago, and is described in the Manuel de Tourneur, by which copperplate engravings are produced from medals and other objects in relief. The medal and the copper are fixed on two sliding plates at right angles to each other, so connected that, when the plate on which the medal is fixed is raised vertically by a screw, the slide holding the copperplate is advanced by an equal quantity in the horizontal direction. The medal is fixed on the vertical slide with its face towards the copperplate, and a little above it. A bar, terminating at one end in a tracing point, and at the other in a short arm, at right angles to the bar, and holding a diamond point, is placed horizontally above the copper; so that the tracing point shall touch the medal to which the bar is perpendicular, and the diamond point shall touch the copperplate to which the arm is perpendicular.