Forgiveness -- Fiction; Guilt -- Fiction; Love -- Fiction
The laborer unhitched the horse. Eberhard rose hastily and, without
saying a word, walked up the hill in the direction of the manor-house.
He felt as if the air was filled with intangible, electric clouds that
drew him back; but he forced his way through them. He reached the house
and held fast by the doorposts. He was giddy, but still he did not give
up. He went through the stables and barns, saw the men storing away the
fodder, and remained looking at them for a long while. Then he went
through the whole house and looked at every object with an inquiring
gaze. In the great room with the bay-window, he lingered long before a
picture of Irma, painted when she was but seven years old, a beautiful,
large-eyed child. The attitude was natural, a mixture of childlike
awkwardness and grace. The painter had wanted to put a nosegay in the
child's hand, but she had said: "I won't have dead flowers; give me a
pot with living flowers in it." Ah, she had had such pretty conceits!
There she stood, the very picture of childish grace, with rosy cheeks,
and with blooming roses in her hand. "A rose plucked before the storm
could scatter its petals." These last words of Emilia Galotti passed
through his mind. "No, I am not that strong."
He rang, but when the servant came, had forgotten what he wanted. The
effort to collect his scattered thoughts seemed like plunging into
chaos. At last he ordered the carriage, which was all he had wanted the
servant for.
"The traveling carriage," he called out after the servant.
When he reached the library, he paused, and gazed at the door for a
while. There were so many great and mighty minds in there--why did none
of them come to his aid? There is no help but that we find within
ourselves.
While descending the steps, he would now and then hold fast to the
baluster as if to support himself. He drew himself up, as if filled
with anger because of the weakness that mastered him. In the courtyard,
he gave orders that the carriage should drive on and meet him down in
the valley. His speech was noticeably indistinct. Half way down the
mountain, he suddenly seated himself on a heap of stones and looked
about him.
Public-domain text, read in full here on John Shaqi.
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