"I shall hope never to hear his wretched name again," she said. "Maude,
dear, you won't forget to-morrow night?"
"Not unless Butler forgets me," said Mrs. Penfield, whereat both ladies
laughed the laugh that rounds a pleasant visit.
"Jack," whispered Clara, "please count and see if everyone is here;
there should be twenty."
It was Wednesday evening, and the Fessenden's Colonial drawing-room
housed an assembly to make the snowy breast of any hostess glow with
satisfaction, especially a hostess possessing one inch less of waist
and one inch more of husband than any lady present.
"Exactly twenty," Jack announced; "that is, if we count the Envoy and
the Countess each as only one, which don't seem quite respectful."
"Please don't try to be silly," said his wife, suspecting stimulant
unjustly.
To her the function was a serious achievement, nicely proportioned,
complete in all its parts; from Mrs. Ballington's tiara--a constellation
never known to shine in hazy social atmospheres--to the Envoy
Extraordinary's extraordinary foreign boots. Even the Countess, who wore
what was in effect a solferino tea-gown with high-bred unconcern, was
not a jarring note. Everybody knew how the Countess's twenty priceless
trunks had gone to Capetown by mistake, and her presence made the pretty
drawing-room a _salon_, just as the Envoy's presence made the occasion
cosmopolitan. When the mandolin club in the hall struck up a spirited
fandango, no pointed chin in all the town took on a prouder tilt than
Clara Fessenden's.
The Envoy Extraordinary had just let fall no less a diplomatic secret
than that, in his opinion, a certain war would end in peace eventually,
when Mrs. Penfield, who happened to be near, inquired:
"Oh, Clara, have you heard anything more of that Mr. Hopworthy?"
"Don't speak to me of him!" retorted Clara, clouding over. "When Jack
called at his hotel to leave a card, he had the effrontery to be out.
Just fancy, and we had almost sent him grapes!"
"But----" began Mrs. Penfield.
Pierre was at the door; one hand behind him held the orchestra in check.
"Madame is served," he formed his lips to say, but having reached
"Madame," he found himself effaced by someone entering hurriedly--a tall
young man with too abundant hair and teeth, but otherwise permissible.
The new arrival paused, took soundings, as it were, divined the hostess,
and advanced upon her with extended hand. Evidently it was one of those
amusing little incidents called "contretemps," which often happen where
front doors are much alike, and the people on the left have odd
acquaintances.
Public-domain text, read in full here on John Shaqi.
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