On the Old Road Vol. 1 (of 2): A Collection of Miscellaneous Essays and Articles on Art and LiteratureRuskin, John
General
On the Old Road Vol. 1 (of 2): A Collection of Miscellaneous Essays and Articles on Art and Literature
Ruskin, John
Art; Essays; Literature
269. We must answer these questions speedily, or we answer them in vain.
The peculiar character of the evil which is being wrought by this age is
its utter irreparableness. Its newly formed schools of art, its
extending galleries, and well-ordered museums will assuredly bear some
fruit in time, and give once more to the popular mind the power to
discern what is great, and the disposition to protect what is precious.
But it will be too late. We shall wander through our palaces of
crystal, gazing sadly on copies of pictures torn by cannon-shot, and on
casts of sculpture dashed to pieces long ago. We shall gradually learn
to distinguish originality and sincerity from the decrepitudes of
imitation and palsies of repetition; but it will be only in hopelessness
to recognize the truth, that architecture and painting can be "restored"
when the dead can be raised,--and not till then.
270. Something might yet be done, if it were but possible thoroughly to
awaken and alarm the men whose studies of archaeology have enabled them
to form an accurate judgment of the importance of the crisis. But it is
one of the strange characters of the human mind, necessary indeed to its
peace, but infinitely destructive of its power, that we never thoroughly
feel the evils which are not actually set before our eyes. If, suddenly,
in the midst of the enjoyments of the palate and lightnesses of heart of
a London dinner-party, the walls of the chamber were parted, and through
their gap, the nearest human beings who were famishing, and in misery,
were borne into the midst of the company--feasting and fancy-free--if,
pale with sickness, horrible in destitution, broken by despair, body by
body, they were laid upon the soft carpet, one beside the chair of every
guest, would only the crumbs of the dainties be cast to them--would only
a passing glance, a passing thought be vouchsafed to them? Yet the
actual facts, the real relations of each Dives and Lazarus, are not
altered by the intervention of the house wall between the table and the
sick-bed--by the few feet of ground (how few!) which are indeed all that
separate the merriment from the misery.
Public-domain text, read in full here on John Shaqi.
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