On the Old Road Vol. 1 (of 2): A Collection of Miscellaneous Essays and Articles on Art and LiteratureRuskin, John
General
On the Old Road Vol. 1 (of 2): A Collection of Miscellaneous Essays and Articles on Art and Literature
Ruskin, John
Art; Essays; Literature
12. The fact is, we don't care for pictures: in very deed we don't. The
Academy exhibition is a thing to talk of and to amuse vacant hours;
those who are rich amongst us buy a painting or two, for mixed reasons,
sometimes to fill the corner of a passage--sometimes to help the
drawing-room talk before dinner--sometimes because the painter is
fashionable--occasionally because he is poor--not unfrequently that we
may have a collection of specimens of painting, as we have specimens of
minerals or butterflies--and in the best and rarest case of all, because
we have really, as we call it, taken a fancy to the picture; meaning the
same sort of fancy which one would take to a pretty arm-chair or a
newly-shaped decanter. But as for real love of the picture, and joy of
it when we have got it, I do not believe it is felt by one in a
thousand.
13. I am afraid this apathy of ours will not be easily conquered; but
even supposing it should, and that we should begin to enjoy pictures
properly, and that the supply of good ones increased as in that case it
_would_ increase--then comes another question. Perhaps some of my
hearers this evening may occasionally have heard it stated of me that I
am rather apt to contradict myself. I hope I am exceedingly apt to do
so. I never met with a question yet, of any importance, which did not
need, for the right solution of it, at least one positive and one
negative answer, like an equation of the second degree. Mostly, matters
of any consequence are three-sided, or four-sided, or polygonal; and the
trotting round a polygon is severe work for people any way stiff in
their opinions. For myself, I am never satisfied that I have handled a
subject properly till I have contradicted myself at least three times:
but once must do for this evening. I have just said that there is no
chance of our getting good Art unless we delight in it: next I say, and
just as positively, that there is no chance of our getting good Art
unless we resist our delight in it. We must love it first, and restrain
our love for it afterwards.
Public-domain text, read in full here on John Shaqi.
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