On the Old Road Vol. 1 (of 2): A Collection of Miscellaneous Essays and Articles on Art and LiteratureRuskin, John
General
On the Old Road Vol. 1 (of 2): A Collection of Miscellaneous Essays and Articles on Art and Literature
Ruskin, John
Art; Essays; Literature
33. I have often been accused of dogmatism, and confess to the holding
strong opinions on some matters; but I tell the reader in sincerity, and
entreat him in sincerity to believe, that I do not think myself able to
dictate anything positive respecting questions of this magnitude. The
one thing I am sure of is, the need of some form of dictation; or, where
that is as yet impossible, at least of consistent experiment, for the
just solution of doubts which present themselves every day in more
significant and more impatient temper of interrogation.
Here is one, for instance, lying at the base of all the rest--namely,
what may be the real dignity of mechanical Art itself? I cannot express
the amazed awe, the crushed humility, with which I sometimes watch a
locomotive take its breath at a railway station, and think what work
there is in its bars and wheels, and what manner of men they must be who
dig brown iron-stone out of the ground, and forge it into THAT! What
assemblage of accurate and mighty faculties in them; more than fleshly
power over melting crag and coiling fire, fettered, and finessed at last
into the precision of watchmaking; Titanian hammer-strokes beating, out
of lava, these glittering cylinders and timely-respondent valves, and
fine ribbed rods, which touch each other as a serpent writhes, in
noiseless gliding, and omnipotence of grasp; infinitely complex anatomy
of active steel, compared with which the skeleton of a living creature
would seem, to a careless observer, clumsy and vile--a mere morbid
secretion and phosphatous prop of flesh! What would the men who thought
out this--who beat it out, who touched it into its polished calm of
power, who set it to its appointed task, and triumphantly saw it fulfill
this task to the utmost of their will--feel or think about this weak
hand of mine, timidly leading a little stain of water-color, which I
cannot manage, into an imperfect shadow of something else--mere failure
in every motion, and endless disappointment; what, I repeat, would these
Iron-dominant Genii think of me? and what ought I to think of them?
Public-domain text, read in full here on John Shaqi.
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